Love Happy

Despite the heavy advertising of Marilyn Monroe on the cover for any of the videos, she only has a small walk-on role. That's only one of many disappointments awaiting the person who rents this movie. The Marx Bros. were filmed separately - they have no scenes together - so there's no chance to capture that manic comic energy. Harpo plays the harp often, with the movie grinding to a halt every time this happens. Groucho literally phones his scenes in - he's in an office with a phone and nearly everything he does happens here. Meanwhile, nothing funny happens anywhere. A sad final note in what was otherwise a hilarious and illustrious career by one of the greatest comedy film teams ever.

If you watch this film as a Marx Brothers fan then there is some hope, but for the neutral it's a disjointed and disappointing effort that raises few laughs, has no plot to speak of and goes nowhere with no purpose. Film buffs will tell you that the minute of the film in which a young Marilyn Monroe appears is worth the entrance fee (it's not) or that Raymond Burr as a vertical baddie is wonderful (it isn't) or that it's great to see so much of Harpo (give me strength) but this independent, though grumpy, soul thought it was a dog's breakfast of a film stitched together from mediocre musical numbers and half-hearted Marx Brother's cameos. If you take it as given that the Marx Brothers in their pomp were great (which I'm afraid these 21st century eyes don't) then this is the runt of their offerings and should be consigned to the file marked 'watch once, forget'. Bottom line....I didn't love it and it didn't make me happy.

I disagree with the put downs of this film by some viewers, for a very simple reason: I enjoyed watching it and found it funny. Sure, the plot is a little weak, but who watches Marx Brothers films for the plot? Actually, the plot is stronger than in many of their movies. Groucho's role is certainly weak, but this may be Harpo's finest film, which showcases his beautiful comic style. Chico does fine, too. And they both deliver some wonderful musical performances. The scene near the end on the rooftop amid the Times Square advertising signs is delightful. There seems to be an obvious element of "product placement," though I don't know whether the filmmakers got paid for this, but that all adds to the peculiar humor of the scene. It's been a very long time since I first saw the classic Marx Brothers films, at least as an adult who could appreciate them. Back then they were funny. But I can't say they crack me up these days, as the gags have gotten old. So it was wonderful to find this Marx Brothers film I hadn't seen, and to laugh at them again. This is a funny film. Period. It is a bit sad knowing this was their last film, also knowing the great young comedy writers who were about to get started in live television, including Mel Brooks and Woody Allen. If only their talent could have been turned to writing more scripts for the Marx Brothers. Instead, they wrote for Sid Caesar's television shows, which in some ways were the heirs to the Marx Brothers humor. I think I will watch Love Happy again, soon. I want to watch Harpo's performance more closely. It seems to me he was the last of the silent film comedians, in the tradition of Chaplin and Buster Keaton, whose humor was all in their body language. And this was his last great work.

Unfortunately, this movie was my first Marx Brothers movie. (I saw it in December 1977.) It really isn't a good introduction to the comic mayhem of the Marx Brothers because it was never intended to be a Marx Brothers movie in the first place! It was originally a Harpo Marx movie. But Chico had some debts to pay so he was worked into the script. Since you cannot have Harpo and Chico without Groucho, Groucho was also added to the script. Groucho didn't have that much of a part. But Groucho was so unique that he could generate laughs by saying anything! "Love Happy" was the movie that marked the end of the Marx Brothers as a single comedy act. (It would also be the movie that started Marilyn Monroe's career.) The movie was very entertaining and it provided more than enough comedy and laughs to qualify as a good comedy. Harpo was great, doing what he was best as doing. The chase was a riot. For those who were saddened over this movie being the end of the Marx Brothers as a comedy act, this movie also marked the beginning of the Marx Brothers as individuals who would each enjoy his own level of success with Groucho being the most successful with his TV show "You Bet Your Life" in the 1950s and a comeback in the 1970s, touring the country. After "Love Happy", Harpo would make 9 appearances plus 15 as himself. Chico would make 6 appearances plus 7 as himself. and Groucho would make 13 appearances plus 29 as himself and he would also enjoy success as a writer and one shot as director. That's not bad. The real tragedy was the 3 Stooges' "Kook's Tour" which really marked the end of the 3 Stooges as an act by featuring them in retirement. "Kooks' Tour" was cut short by Larry's stroke and it marked the end of the 3 Stooges (except for a few personal appearances by Moe as a member of the audience in the 1973 movie "Dr. Death Seeker of Souls" and as himself on "The Mike Douglas Show".)

This day being the one Groucho Marx died 30 years ago, 3 days after Elvis, I decided to watch some of his movies that I either have on tape or just checked at the library. Love Happy, I taped 12 years ago from AMC. This movie came 20 years after Groucho and his brothers' talkie debut in The Cocoanuts. His participation is limited here which is just as well since he doesn't have many funny lines except with the villainous Ilona Massey and, in her brief part, a well-endowed Marilyn Monroe. Says Groucho to her, "Is there anything I can do for you? (turns to audience as he see-saws his eyebrows) What a ridiculous statement!" The story mainly concerns Harpo, as himself, as he steals plenty of sardine cans as they're being thrown at him unknowingly by Eric Blore. One Blore doesn't throw but has stolen unbeknownst from him by Harpo has some valuable diamonds. There's also a plot about a musical show with dancer Vera-Ellen and singer Marion Hutton (Betty's sister) that's for the birds. Best parts of those segments concern Chico's piano playing with violinist Leon Belasco though there's also a sexy Vera-Ellen number that got my temperature rising. Worst parts for me were Chico's wooing of Ms. Massey and Vera-Ellen's constant crying in front of Harpo. Most interesting part was the chase sequence at the end where Harpo rides on lots of billboards in one of the rare instances of product placements of the period. Many of those gags probably came from former animation director Frank Tashlin, a co-writer of the script. While there's one scene with Groucho and Harpo, the one with Chico at the end probably was shot on separate occasions since they don't share that scene together, just a cut to Chico after Grouch calls out to him. So, technically, this isn't really a "Marx Brothers" picture, just Harpo starring with Chico in support and Groucho in an extended cameo. Having not seen The Big Store, I reserve judgment on whether this is the worst movie of their career but Love Happy is certainly one of their lesser ones. P.S. Raymond Burr is one of the henchmen.

I always thought that if I had to pick a worst film of the Marxes, that this would be it. But, can I ever say I dislike a movie with Groucho, Harpo, and Chico (and sometimes Zeppo) in it? Hell no! Before I first saw it years ago, I never heard of it before that and was really glad that I did, and had to see it. When I finally saw it, I wasn't disappointed, considering it was their very last official film together. Most of every comedy team's last films aren't as good as they used to be, but so what! Enjoy the chance to see them one last time! Recommended to any Marx Bros. fan! By the way, note Groucho's mustache and eyebrows in this. They're not the classic grease-paint, he was working on "You Bet Your Life" at the time, and ditched the fake ones.

I watched this only because Marilyn Monroe was on the cover. She is as glamorous as ever although her scene is far too brief. As for the rest of the movie, I frankly found myself uninvolved in it except for Marilyn's cameo. This is my first Marx Bros. film and based on this experience, I would have to conclude that they are not comedy icons but hideous and odious creatures. A few of the song and dance numbers were alright I suppose though they are nothing special. I recognized Paul Valentine from his role in the Robert Mitchum film noir classic Out of the Past and the very good Edward G. Robinson vehicle, House of Strangers. Unfortunately here, he takes a back seat to the odious and hideous Marx Bros. 5/10.

I've been a die-hard Marxist for several years now. After I watched their first seven films to the point where my tapes were in tatters, I sought out their later films, the lesser productions Room Service thru Night in Casablanca. After that, I still wanted more, so I finally gave in and watched the one film that I KNEW would be painful: Love Happy. Virtually every review has smeared this film and ripped into it with full claws, so I braced myself and bought the DVD. Now let me tell you something: this movie is great. Of course it's not in the ballpark of the Paramounts, but it fits nicely with their later films, and is a real delight. So why the negative rap? Well, this movie was originally intended as a solo vehicle for Harpo Marx. Chico joined on when he needed money to get out of debt. Groucho was never supposed to be in this film, but the sponsors said that they wouldn't release it unless he was, so that they could bill it as a "Marx Brothers" picture. So footage of Groucho narrating parts of the story were shoehorned into the finished product. The result? Chico and Harpo are just as enchanting as ever, and Groucho--despite being displayed prominently on the movie posters--is relegated to a commentator. Since most Marx fans are Groucho fans first, Chico/Harpo fans second, this setup comes as a slap in the face, and the film gets trashed. As such, if you watch the Marxes mainly to see Groucho's witty quips, this movie will bore you stiff. However, if you--like me--love the others just as much as Groucho (for me, Chico will ALWAYS be the funniest Marx Brother!) you'll be surprised at how good Love Happy really is. I'd go into the plot, but with a Marx movie, who really cares about the plot? It's our boys we're after. Chico plays an uproarious piano/violin duet, lusts after Ilona Massey, has some "tootsy-frootsy ice cream" and does some flawed mind-reading; Harpo tumbles through a washing machine, turns his fingers into candles, pulls a dog out of his coat and lusts after Ilona Massey. And Groucho narrates, searches, quips, ponders the situation, and...lusts after Ilona Massey. Oh!--and did I mention this film started the career of a young Marilyn Monroe? In short, to a Chico/Harpo fan, this movie is as good as (and often better than) At the Circus or A Night in Casablanca. To a Groucho fan...well, that's why we have remote-controls.

source: Love Happy

Moviecut—Love Happy