Killshot

Well, Killshot is not awful, but it comes close. Production values are decent and the main actors do a pretty good job (except for Rosario Dawson in a wasted role), but the story is just pathetic. I don't know if the Elmore Leonard book had such dumb characters,since I haven't read it, but I'm guessing that the book was supposed to be at least slightly humorous. The movie has no detectable humor. After the first twenty minutes, you'll be yelling at the screen, "Oh, come on! Nobody's THAT stupid!!" In a nutshell, and without any spoilers, everybody acts in a manner convenient to the plot, which makes no sense anyway. A very frustrating and unrealistic movie, which may account for it sitting on the shelf for as long as it did.

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source: Killshot

There are many distinct problems with the movie "KillShot". For one, there are way too many coincidences. The husband is a hunter and just happens to be hunting on the day that the main killer shows up, with someone the killer knows. Okay I will take that one. The kid calls the real estate agency that the wife works for and asks for money to be ready when he comes to get it. Okay, I will take that one as well. Before he goes to get the cash he decided to rob our killer, who doesn't kill him but decided to go with him on the job. It's starting to get real weak. Then they show up, on the same day that the husband has an interview with his wives boss. No one is there but the wife and the husband who has decided to make his way into the empty office. They make their way into the office and the professional killer just assumes that they are talking to the right guy. That is just in the first 15 minuets. There are a lot more holes in this movie then I care to talk about. Why the killer didn't just kill everyone at the real estate agency I don't know. Why he didn't shoot the woman on her porch, I don't know. Why he kept letting that dumb kid make all those stupid moves and mess a whole lot of crap up, I don't know. Why the girlfriend was even in the movie, I don't know. Why he decided not to pocket the gun and just leave it out on the counter, I don't know. Why they even went into the witness protection program, I don't know. What I do know is that the Casting Director did a great job, the Director of Photography did very good work, the Location Scout picked great locations, and the Production Designer was worth every penny. So my advice for anyone that is going to pick a script that is going to be so well worked by the crew, make sure that every attempt to kill someone by the hit man is not foiled by a peak through an open window.

Killshot had some issues before it was released in 2008. The studio that owned it went through a sale, it needed a lot of re-shoots, and a character was dropped completely from the film after a bad test screening. The film got a very limited release then went straight to DVD. This is one of the few times a straight to DVD film is actually decent. It was based on a book by Elmore Leonard. The film stars Mickey Rourke (Blackbird) as a hired mob assassin who makes a mistake and his hunted by his employer. He meets up with a psychopathic small time hood excellently played by Joseph Gordon-Levitt (Richie). They attempt to shake down a real estate agent but end up mistaking Wayne Colson played by Thomas Jane for the agent. Wayne ends up beating up Blackbird and Richie. Wayne's wife Carmen, played by Diane Lane, who works at the same agency sees the fight and sees Blackbird. It seems Blackbird has a thing about people seeing him work and he decides that Wayne and Carmen need to die. The rest of the film deals with Blackbird and Richie trying to kill the Colsons. I really wasn't expecting much but the plot kept me interested. Rourke was believable as a native American and Gordon-Levitt just chewed up scene after scene as his buddy in crime. Thomas Jane as Wayne was decent. He was a bad ass when he needed to be and he could do well in the tender moments with the wife. Diane Lane had her "A" game on. She shines in the last third of the movie especially during the final confrontation with Blackbird and his friend. If this had gotten better support from the studio and a real theatrical release I feel it would have done okay at the box office. Rent or buy this and see if it comes on TV.

Ugh. Even the ever-popular Diane Lane could not save this movie, and the most exciting thing about the movie was seeing if Rourke's face would move. One has heard so much "gossip" about his botched face lift, etc., so like an accident on the side of the road, we just had to slow down and see the wreck. The plot was thin. Here we have a very professional mob hit man who somehow latches on to a wild and uncontrollable punk/crook, and throughout this movie we're wondering why this guy stays with this idiot, let alone gets together with the guy in the first place. Then the crime that was not even committed has the pro to go after the witnesses. He would have popped them right then and there. But then, we would not have had a movie then, would we? And why did the realtor even agree to the extortion? There were more holes in this flick than in my colander. The acting was horrid, the entire movie predictable down to the minute, and even the ending. And so much could have been done to make this a much better movie. But if you have about 90 minutes to kill and not have to use any brain cells in the process, then this movie is just what the doctor ordered.

I am so disappointed in this movie I can't express it. I was so excited when I started watching this film to see Mickey Rourke all leather faced and that kid from Third Rock From The Sun acting like I psycho. I thought, wow, this is going to be a winner, freakin' Natural Born Killers style. And it got better. The production value was great, the directing was great, the acting was great, the cinematography was great, and the plot was, well, the plot, well, what WHAT PLOT? About half way through this film I was pulling my hair out yelling "What the hell is going on?" and I mean that quite literally? Nothing makes any sense whatsoever. Nothing. Nothing. Nothing. Aaaaaaahhhhhhggg!!!!

I absolutely love this move. Watch it every time I get the chance. Mickey Rourke plays his role to a tee and we see from this movie that he is back in full effect! Joseph Gordon Lovett is equally excellent as the charismatic psychopath whom Bird takes under his wing because he reminds him of his dead brother. This movie can be really touching at times as we watch Bird go through his mixed feelings about what he should do as an aging hit-man who wants to be done with his murderous ways while still pulling off one of the meanest SOB's you would even NOT want to meet. Mickey Rourke was the best actor by far as his role was so complex at times. Dianne Lane also does a wonderful job and there are other notable appearances.Don't expect something new as its the familiar premise of a hit-man on his one last job, but this one is very stylish, has great performances and is all and all a great flick. 9 out of 10 stars!

Blackbird's last mission. the real story of his death. the real Elmore Leonard film. Mickey Rourke's big role after Marv. Detroit way. look out for the 100 min version. After his brother gets killed and the other one doing time in Kingston, Blackbird takes on a job to whack some old man in a criminal business. Meets Richie after it goes sour with them (on account of a bitch with a lipstick) and agrees to squeeze some money out of a real estate man. He never leaves witnesses and he won't take the shot if he thinks he can miss. the uncounted Bullet. Don't hang around. Don't get it twisted. John Madden and Hossein Amini did a good job. and turned out a franchise material.

Truly appalling waste of space. Me and my friend tried to watch this film to its conclusion but had to switch it off about 30 minutes from the end. And i can count the films I have switched off before the end on one hand. The script and direction are leaden and deeply uninspiring. I wouldn't be surprised if they found the script in a pile of cast off scripts from 1983. For example the irritating scroat threatening the real estate guy from his house phone. I mean seriously. The police would be beating his door down in minutes. The scenes and events just wash by you like turds in a river. It is difficult to understand the actual thrust of the film. The narrative flicks between characters in a seemingly random manner breaking up the pathetic attempts at building the characters. Oh and what "characters" they are. The protagonist played by Rourke is dreadful. He could have just sent a cardboard cut out of himself and stayed in bed. After 60 or so minutes of the film I had built absolutely zero attachment to this character. He is neither sympathetic nor hateful. Just a disfigured dummy from a shop window blundering through every single scene. His motivation is impossible to discern from his generally mumbled and emotionless delivery. Is he happy? Is he sad? Angry? No idea. Just those same dead eyes staring out at you from a disfigured chunk of flesh. And the native American theme is just awful and pointless. The good guys are at best unlikeable. A dull white collar stereotype and a simpering neurotic ex-wife stereotype. Cue archetypal wife with shotgun face off with bad guy, "you aren't going to shoot me" that is both tiresomely unoriginal and annoying. The richie nix character seems interesting at first but soon descends into an irritating one sided psycho character. Which seems at odds with the seeming intention of making the bad guys in some way sympathetic or at least realistically motivated. Roasario Dawsons character starts with some promise but soon descends into a sickening and childlike parody of the gangsters chick scenes from Jackie Brown. You really want me to believe her character was SO attracted to Rourke's? Or worse she is just a floozy who sleeps with anything that moves? Realistic female characters FTW! In summary a complete mess of a film. Hopeless characterisations and performances. A leaden and hackneyed script along with uninspired direction. And ultimately extremely dull. Its not even comedy bad either. Laughing at Rourkes haggard face gets pretty old after sitting through the first 15 turgid minutes of the film.