Joy House

source: Joy House

Marc (Alain Delon) is a womanizer. He womanizes a New york gang's wife, and royally gets them angry. He flees to France, but the gangs are after him. They catch up to him, but in their encounter, they're speaking French. I can understand them speaking Italian, but New York gangs speaking French ? Jane Fonda's voice is also dubbed over. That's the only part I'd like to nit pick about this movie. The rest is superb. Alain Delon, and Jane Fonda are absolutely beautiful. This kind of gorgeous looking actors don't exist anymore. The movie is classy in the way its made. It doesn't have any high tech in it, but has gorgeous lifestyle in its place. I really think we made the wrong choice in our lifestyle. We need to bring back more of the gorgeous lifestyle like people in the '60s had. Don't miss this movie, because it's just great.

Marc a French playboy has committed the ultimate sin, he beds the wife of a criminal lord in New York. With his injured pride as a cuckold, the man orders to bring him his head on a silver platter so he can enjoy his revenge and to satisfy his ego. Trouble is Marc has decamped New York and now is playing on the French Riviera. The men sent to get him locate him, but Marc is able to escape, finding refuge among the poor being fed at a local church, where he is not going to be found. Marc fates changes when Barbara, one wealthy American woman comes to the mission where he has been staying accompanied by her cousin Melinda, whom she uses as her personal maid. Through Melinda, Barbara offers Marc a job at her rich villa as a chauffeur. Thinking it is the best solution to his problems, Marc accepts the invitation, but little does he know about what awaits him at Barbara's palatial home which hides a well kept secret, one in which Marc will play a principal role. "Les felins" is based on an American pulp fiction paperback, written by Day Keene, an obscure author whose work is hardly known these days. The great Rene Clement knew a thing, or two, about making films and saw the potential of this story for his reunion with Alain Delon after their success on "Plein soleil", a triumph of great artistic proportions. Here Mr. Clement worked with Pascal Jardin and Charles Williams in a screenplay that captured the essence of Mr. Keene's novel. Working with the great cinematographer Henri Decae, a favorite of a lot of the New Wave directors, Mr. Clement gets the proper atmosphere for the film. Lalo Schifrin contributed with a jazzy score that serves the movie well. Mr. Clement casting of the two principal female roles went to two American actresses, Jane Fonda, who was starting in French movies, as Melinda, and the wonderful Lola Albright, playing the deceiving Barbara, a woman who is hiding a deep secret. Alain Delon is Marc, the gigolo being sought by the Americans in one of his best screen appearances, in a film long forgotten. The director also brought a few American actors to play the heavies in their unusual style. We see Carl Studer, Sorrell Brooke and George Gaynes among the supporting cast, in a film that should not be missed by fans of the excellent Rene Clement.

After seducing the wife of a powerful mobster in New York, the bon- vivant wolf Marc (Alain Delon) travels to the French Riviera. However the mobster orders his gangsters to travel to France and bring Marc's head to him. They kidnap Marc but he succeeds to flee. Without any money, he hides in a mission for poor people. While donating food and supplies to the mission, the wealthy widow Barbara (Lola Albright) and her niece and housemaid Melinda (Jane Fonda) meet Marc and she hires him to be her chauffeur. He moves to a castle-like mansion and believes Barbara has hired him to have sex with her while Melinda falls for him. But Marc decides to investigate the death of Barbara's wife and discloses a hidden secret and that his life is in danger. What will Marc do? "Les félins" is a suspenseful neo-noir film by the fantastic French director René Clément. The screenplay has many twists and two femme fatale with a great story. The only but is the adorable and irresistible Jane Fonda in the role of Melina. Marc (Alain Delon) is a handsome man but how could he resist to the sexy Melinda (Jane Fonda) in the top of her beauty? Better of a less sexy and beautiful actress in this role. My vote is seven. Title (Brazil): "Jaula Amorosa" ("Love Cage")

Handsome gigolo in Paris, on the run from murderous thugs hired by the husband of one his conquests, takes refuge at a religious shelter; there, he meets and becomes employed by a wealthy, mysterious widow who lives in a neo-gothic castle on the Riviera. Why she picked him to be her chauffeur--and why she orders two identical uniforms for him--is just part of the mystery. Director René Clément keeps this skeletons-in-the-closet adaptation of Day Keene's novel twisty and engrossing, with incredulous Alain Delon in constant jeopardy. Lola Albright is intriguing as his benefactor, while young Jane Fonda is wry and funny as Lola's sex-starved cousin in lust with Delon (who struggles with his English, though this is shrugged off with amusing swagger). Flashy technique, expressive black-and-white cinematography by Henri Decaë, lovely score by Lalo Schifrin, and many clever turns of the screw. *** from ****

Despite the naysayers, I count "Les Felins" among my all-time favorites. Hey, we're talking of a thriller that was made over 40 years ago ! Lalo Schiffrin's introductory bass riff is as suspenseful as it is masterful. The actors may not have been at their best in 1964 but IMHO they still did a helluva good job with the plot (French Riviera playboy Delon seduces Mob boss' wife; he tells his men, "Bring me back his head!"; Delon is forced into hiding and ends up a prisoner of the sexy ladies who help him escape the Mob. I have not seen the English version but would like to get a copy of the French version with English subtitles.

I love Jane Fonda and Alain Delon, and have seen several of their movies, so I just HAD to seek this one out. It was interesting enough, thankfully not too overlong, at just a little over 90 minutes, but dear god, that plot! I really tried to follow it but after awhile just kind of gave up. It's a ridiculous story but still intriguing enough if you like these 60s French gems. Delon's performance isn't great but who cares, he's Alain Delon, just look at his face. And Jane Fonda....oh wow, I believe this was the beginning of her journey into making sultry French films. I love Jane but this isn't her best performance or French movie. Check out "The Game is Over", it's much better than this and Jane sparkles in it. But you should have fun with this one. Now all they need to do is release "Circle of Love", the only one of Jane's French films that isn't available.

MST 3000 would have a field day with this muddled mess! Convoluted, incoherent, and embarrassing! The plot revolves around sexy international playboy Alan Delon (who's a thug), underrated Lola Albright (who's lonely), and a stunningly beautiful Jane Fonda (who's horny). Somewhere in between there's a shrunken head, gorgeous French Riviera scenery, two-way mirrors, and a man lurking around in the movie's seaside Gothic mansion. I don't know what's going on here except director Rene Clair did a fine job with Purple Noon (remade as The Talented Mr. Ripley) and you should rent that instead. However, you won't see pre-feminist Jane Fonda trying to seduce Corridor Man by doing 'the Surf' in a strapless bra and slip (dig that crazy music!) or future Dukes of Hazzard's Boss Hogg play the villian.

Alain Delon has the perfect role as the ne'er do well young man, Lola Albright (sad & wonderful in LORD LOVE A DUCK) has commanding screen presence, and Jane Fonda is youthful beauty personified. Ms. Fonda was never more gorgeous than in this creepy little French Film. Those eyes. Nice job with the French language as well. Cool house. Interesting quirky musical score by Lalo Shifrin. Great B/W cinematography and strange "plot". A 6 out of 10. Best performance = Jane Fonda. It's hard to describe what goes on in this one, but I couldn't get it out of my head for days. Nice atmosphere.

I have read someone talking about rené clair - hahaha ! The director is rené clement and he's made lot of classic, lot of wonderful movies as "jeux interdits", "la bataille du rail", "plein soleil" and this one, in the middle of the french cinema golden age. People talking about rené clair instead of rene clement could not be reliable at all - or john huston and john ford are the same person. Brainless often speaks like brainfull... So, here we go, Delon needs to hide and these 2 women accept to hide him from police in their beautiful house - but, what u see is not what is real, like Hitchcock used to do to fool his audience, and soon you'll learn, as the poor delon learns, that these charming ladies are worse than the police... Women here are pretty modern, and men are toys for them, toys u can tear apart, toys u can leave in a room til u need them, men slaves to their desire and will. And what was at the beginning just a hide and seek with the police become a nightmare and a jail for a man totally under control of 2 women - like women had been toys for men for centuries... And this is the modern part of the movie, the raising power of women in the world and the unability for men to take back the control of their lives. Delon is handsome as the devil, but a devil ruined by women, with no escape, and what was only a runaway movie becomes a nightmare movie - watch it til the end ! Without hesitation --> 9/10