Johnny Skidmarks

Trailer—Johnny Skidmarks

Johnny Skidmarks(480P)

Despite its title 1998's "Johnny Skidmarks" is NOT a comedy but a modest noirish thriller in which titular quiet freelance crime-scene photographer Peter Gallagher works for the cops (including John Lithgow), insurance companies AND a crew of blackmailers linked to the mob. That latter crew though start turning up dead one by one, just as Gallagher meets (through his deceased wife's brother Jack Black) sultry seductive dame Frances McDormand. Is a blackmail victim wreaking revenge, and if so is McDormand involved? Co-writer (with William Preston Robertson) / director John Raffo does a passable job - though with THAT title, it SHOULDA been a comedy.

source: Johnny Skidmarks

Not slow as others have intimated, slowly compelling. I absolutely adore Lithgow, and he again does not disappoint, such an underrated actor. Just enough of Jack Black, not to be distracting. Twists and turns to the end. The last 20 minutes were intense for me as I do not appreciate a lot of graphic violence. I fast forwarded to avoid something anticipated that thankfully I didn't have to avoid. Was ABLE to go back and SEE the scene. And yes, it does know that it is a crime suspenceFULL thriller w. Appropriate violence to the theme of the storyline.

I was scopping out the new releases at the local Blockbuster, and I came upon the movie, Jonny Skidmarks. I read the summary on the back of the movie box, and I thought it would be good. I got home popped it into my VCR, and started watching, the beginning and end were really good, but the middle of the movie....well, it got a little out of wack, and slipped away and never came back. I say thought-provking because it makes you think, this really happens to a lot of people, not like other movies...letting the plot get too out of hand. But this movie did get out of hand, having your arms, legs, and head chopped off and laid where they are supposed to be on your body, but not actually attached, and in the shape of JESUS CHRIST on the cross. I don't think so. This movie was alright , for just one viewing, and will never be played in my home again, Frances Mcdormand needs to look at her Oscar and think to herself, 'I need to get better roles.' Over and out.

"Johnny Skidmarks" is uneven to the extreme. This sometimes black comedy, sometimes thriller, sometimes noir, sometimes violent movie, teeters on the edge of being either entertainment or nonsense. The plot is initially interesting. A police freelance photographer sidelines taking blackmail photographs of unsuspecting clients with a planted hooker. While completely disassociating himself from the victims, Peter Gallagher plays the role of the photographer very low key. Even more low key is his on again off again romance with Francis McDormand. Her role seems like it belongs in a different movie, and adds nothing to the already well stretched plot. In the end the wheels finally come off regarding John Lithgrow's good to bad transformation, and the concluding torture scene turns into one gigantic plot hole. - MERK

"Johnny Skidmarks" does not seem to know exactly what it wants to be - it crosses a number of genres, from black comedy to thriller. As it turns out, none of the genres it dabbles in are particularly well accomplished. It's not funny, not thrilling, or insightful. The main problem with the movie, as my summary line points out, is that it's too soft and low key. This particularly goes for lead actor Peter Gallagher - he is so lacking in emotion (ANY emotion) for most of the movie that it's hard to get a handle on his character. But the movie's story is also weak. It's extremely slow moving and filled with unnecessary fat. There's also fault with the twist about two-thirds into the movie, which is not only predictable to a good degree, it depends on the characters being extremely stupid. The only interesting thing to be found in the movie is seeing a pre-fame Jack Black, though his scenes only add up to a few minutes of the total running time.

Johnny's last name is Scardino so why did they call him Skidmarks? Although it wasn't explained in the movie, it is obvious that the moniker had something to do with his occupation - a crime and accident scene photographer. He took photos of vehicle skid marks, see? It seems that Skidmarks was not a regular police employee but a freelance photographer who got assignments from the cops to take photos of crime scenes, similar to a reporter on "string" basis. Obviously, he didn't have much talent otherwise he would have been into photography involving advertising, modeling, art or whatnot. He reminds me of itinerant photographers who used to frequent parks, churches and tourist spots and overcharged for their unimaginative photos. And so Skidmarks made a living taking flash photos of gruesome scenes. As long as the pictures were clear and showed everything the investigators wanted, they were OK. Doubtless his dreadful job had made Johnny morally numb. He really didn't even "see" the subjects of his photos. Which was why he was into a blackmailing racket where his co-conspirators faked police raids while he took photos of men caught in compromising positions with prostitutes. In one of these raids, the victim turned out to be a "friend," a detective in the police force who frequently engaged his services. But because he has been so inured to the reality of crime and the unpleasantness he encountered daily in his work, he did not recognize his friend. It seems that he completely detached himself from the scene so that he did not hear his friend's pleas to help him.His failure to do so leads to a series of murders. This is certainly not a "feel good" movie. It is tragic but not a tragedy because the hero lacks both honor and hubris. Nevertheless, it is a riveting watch as it combines character study and suspense. One's sympathy goes out to both Skidmarks and the murderer who whacked the members of his gang and stalks him.

This movie was better then I expected. What little gore there was was top notch and effective to the scene,and the production values were fine. I loved Jack black in it...he was the only Comedy in this "dark comic mystery" John Lithgow was over the top,and fun as a psycho cop,and Gallagher was very good as the brooding photographer. The script was a little weak and not fleshed out that well,still all in all a good movie. The basic story is a freelance photographer gets in over his head with blackmail...then add some twists.