muted

Idiot Box

Rating6.4 /10
19971 h 23 m
Australia
954 people rated

Looking for the fast track out of suburban hell, two natural born losers scheme an impossible heist. Two undercover cops and a highly strung speed dealer are not far behind.

Comedy
Crime
Drama

User Reviews

Theresia Lucas

10/04/2024 17:41
Idiot Box-S0E0

WULA CHAM JARJU

19/03/2024 04:02
I just loved it! It is not exactly fast paced, but then again it's about low life losers. It takes its time to unfold and then the climax at the end! No happy ending here.

Nana Lenea

19/03/2024 04:02
The first comment I must make about this film is that the characters are so Australian. This is not surprising considering that it is an Australian Film, but the thing is is that the characters are genuine. It is as if the makers followed some around and took down all of their mannerisms and speech patterns. I was seriously convinced that Mick and Kev were genuine. This movie was a comedy, and I really did not find it that funny. The funniest scene was when they were being chased down the street by a guy in a koala suit after stealing his money bucket. Other than that, there was not much that I found really funny about the movie. Yet as an Australian film, I think that it continues to set the standard. We don't go for fancy effects, but rather real characters, and the characters in Idiot Box are real. The movie is based around two unemployed bums, Mick and Kev. They think they know everything, but really don't. Mick fancies himself a poet and Kev fancies himself important. Mick at least has a go at being a poet, Kev is simply a looser, and very much like some Australians that I know. He is an idiot that thinks that he can think when he really cannot. He is the one that gets everybody around him into trouble, and then blames them for stuffing up. He can never do any wrong, yet he himself just can't stay out of trouble. Mick and Kev want to rob a bank. They think they can do it, but as the film progresses they seriously do not know what they are getting into. The police aren't onto them, but rather trying to stop a group that has been successfully robbing a lot of banks. Kev and Mick just happen to be in the wrong place at the wrong time. What I liked about this was that I could not predict the ending. I knew that they could not pull off the robbery because they simply do not know what they are doing. In fact they seem to make more enemies than friends. Their self centred attitudes, especially Kev's, seems to alienate them. Kev is the leader of the two, and the cover shows that because Kev is running ahead of Mick with a serious look on his face, while Mick is laughing. Idiot Box also gives us an idea of what it is like on the dole, but they are not seriously looking for a job, rather they just bludge around home and the pub. Mick and Kev are dole bludgers and as such we do not feel any sympathy for them. If anybody, we feel more sympathy for Mick because he actually seems like a nice guy. Kev is simply just shallow because he refuses to let his emotions out. When Mick meets up with a young lady, we begin to see another side of him, a side that is sensitive and loving, and we feel that he is being dragged into something by Kev. What is also interesting is that they are not made heroes at the end of the movie, and as such I feel that this raises the movie about the typical Hollywood garbage. The characters in this movie are in way over their heads, and are so fortunate that they are given a second chance.

Joe trad

19/03/2024 04:02
Idiot Box is uninteresting and unfunny. Realistic unlikable people doing unrealistic things. The ending makes all the build up for nothing, as Kev should've just shot the other bank robbers and started a hostage negotiation as he wanted to go out with a bang anyway. What a dud.

Happy_gifts

19/03/2024 04:02
A rip-snortingly good seriocomic Australian crime caper romp about Kev and Mick, who are a couple of slothful, shiftless, luckless, jobless, penniless, hopelessly dumb and perpetually beer-blasted couch potato twentysomething slacker meatheads who are constantly hard up for booze money. The dim-witted duo decide to reverse their misfortune by robbing a bank. Naturally, things don't go as planned, with a rival gang of clown-masked stick-up boys who've been holding up banks all over the city gumming up the works. This delightfully offbeat feature scores a 100% smack dab on the money bull's eye thanks to its engagingly off-kilter sense of raucously wiggy humor, keenly observant feel for and genuine sympathy towards miserably impoverished, just barely scraping by bottom-of-the-socioeconomic-ladder lower-class people, uniformly bang-up acting, fluid photography, and commendably unpredictable loosey-goosey narrative structure. Writer/director David Caesar tells the whole manic story with dynamic, barn-storming panache and punchy, pacy, rat-a-tat-tat bravura style to burn, adroitly pulling off a difficult balancing act of laugh-out-loud uproarious comedy and quietly affecting low-key drama (a subplot concerning the leader of the rival gang needing the stolen loot to support his junkie wife's drug habit proves to be especially poignant). The robbery itself is a marvelously tense and thrilling tour-de-force set piece. Best of all, Ben Mendelsohn as the hostile, dangerously temperamental Kev and Jeremy Simms as Kev's more laid-back, long-suffering bud Mick display a wonderfully edgy and oftentimes downright electric chemistry. While the main characters are unarguable losers, the film overall is a total winner.

Barsha Raut

19/03/2024 04:02
A realistic and stark view of life in the western suburbs of Sydney seen through the eyes of two testosterone filled young men Kev and Mick and the people they come across. From their boredom and lack of direction in life they plan an audacious bank robbery to solve their financial situation. Unfortunately for me the plot didn't flow all that well despite being a good concept, it seems to rely too much on violence and excessive swearing,and in some cases corny dialogue as filler for the most part. By leaving out the drug dealing husband and his heroin addict wife I believe the story might have been a lot better and more consistently. The characters themselves are either poorly fleshed out or stereotyped. One example of this is the 'Anyone comes near me and I'll knock their $%#!ing head off', personality of Kev will grind after a while,as does Mick's attempts to seduce the girl working at the bottle shop(which does work in the end). All in all 'Idiot Box' is a total and utter piece of 90's rubbish and should only be viewed in the genre it is classified as,dark comedy.

Pariss 🧜🏽‍♀️

19/03/2024 04:02
i thought this movie was really cool when it came out dark, funny,real. filled with jerks and sensitive people good bad and ugly. Overall still enjoyable. I loved the music i loved jeremy sims and robyn loau. I also thought ben mendelson was awesome in his character. Maybe you don't get Aussie humour. Thats OK But there are lots of others who do! Sure The Boys is good but not as funny and enjoyable as Idiot Box. I would recommend this and Two Hands, and another movie that has bryan Brown and Toni Collette in it its set in the 60s, its very good, not that old, as some beaut Aussie films. plus Shine by Scott Hicks brilliant movie,

kal

19/03/2024 04:02
Look, I applaud any Australian movie that tries to tell a story about contemporary life in this country, but time and time again local film makers either make movies too derivative of overseas releases ("the Australian 'Scream'", "the Australian 'Pulp Fiction'"), or sabotage themselves with basically lousy and unconvincing characters. 'Idiot Box' does both. Everything about it is seen-it-all-before. The friendship between two losers, one supposedly sensitive, the other self destructive, the half baked robbery plan, the "ironic" use of pop culture references (in this case the corny cutting between the on screen story and the TV shows the characters watch), c'mon, this is supposed to be original and innovative movie making? The characters of Kev and Mick (played by Ben Mendelsohn of 'The Year My Voice Broke' and Jeremy Sims of soapie 'Chances') are simplistic caricatures, who in no way are a true representation of suburban blue collar angst. Kev in particular is so yobboish that you never care a hoot about him. Mick's poetry and relationship with the girl who works at the local bottle shop (former pop singer Robyn Loau in a ludicrously under-written role) is supposed to show him as more worthy I suppose, but again, his character is so unconvincing there is no empathy or interest there. A much more successful and disturbing look at Aussie surburbia can be seen in Rowan Woods superb movie 'The Boys'. Ironically two of "the boys" John Polson and David Wenham have supporting roles in 'Idiot Box'. Polson as a dim drug dealer, Wenham as a bank teller. 'Idiot Box' is phony and trite rubbish, and a complete waste of time.

Marie Paule Adje

19/03/2024 04:02
A grim, gritty and uncompromising look at slacker life in the western suburbs of Sydney, Australia. A similar mind set to FIGHT CLUB, THE GRADUATE, SUBURBIA and even A CLOCKWORK ORANGE - young men with no future, with nothing to do but spew hate at the establishment around them. An underrated, under appreciated and highly engrossing film. Watch this film and you'll feel like swigging a case of VB and smashing the empties against a brick wall.

Ansu Jarju

19/03/2024 04:02
From the deadly serious likes of Animal Kingdom or Two Hands, the darkly humorous hybrids such as Chopper or Death in Brunswick or the downright outrageous misfits like Gettin Square and The Mule, Australian cinema has a long and storied affiliation with the crime genre, with the rarely spoken about but well-regarded local cult oddity Idiot Box a mostly forgotten crime comedy gem that is an important piece of the early Ben Mendelsohn puzzle in the years leading up to his eventual ascension up the Hollywood ranks. Written and directed by long-standing Australian filmmaker David Caesar, whose delivered other well known Australian features such as Mullet, Dirty Deeds and various episodes of a large collection of home grown TV series, Idiot Box follows the daily exploits of bogan best mates Kev and Mick (played with a lot of energy by Mendelsohn and his co-star Jeremy Sims, whose now a successful director) as the two dole inspired no-hopers hatch a haphazard plan to rob a bank and strike it rich in an attempt to escape the holes they have dug themselves. Consisting of a lot of Mick and Kev merely roaming around their neighbourhoods, visiting pubs, gaming arcades, local shopping malls and hanging around at home while listening to rock music and drinking VB longnecks, Idiot Box isn't always a barrel of laughs, as sadly the depressing lives of Mick and Kev aren't exactly the lives of a fantasy world that doesn't exist, Idiot Box has a rough and ready feel too it that has allowed it too barely age these close to 25 plus years on from initial release that saw the film become a minor hit at local cinemas before heading the way of a largely obscure existence in the home video market, making it a film hard to track down in today's climate. Key to the films success and a large reason why the film is able to overcome its sometimes aimless and walking in circles narrative is the interplay between Mendelsohn and Sims who work each other fantastically as their fairly unwise but somehow likable nobodies grow on us as the runtime wears on as we are caught up in their unlikely scheme to make a quick buck and start winning at life. Now a well known commodity when it comes to bringing the troubled too life in a variety of ways, Mendelsohn is as good as you'd expect as the eternally angry Kev, a man who reveals in his anger and even suggests that it is one of his main hobbies while Sims gets less moments to explode his also quietly effective as the poem loving Mick with the two performers creating one of the more memorable Australian duos of the 90's in roles that shaped their career trajectories in the years to follow. Final Say - It's not grand Australian stuff but Idiot Box is a film that deserves more reflective viewing in today's era as it sits largely unspoken about in the hallways of local productions and it stands as a further reminder of the talents of Ben Mendelsohn who has long been lighting up the screen as Hollywood slowly but steadily caught on. 3 1/2 heartfelt poem recitals out of 5. For more reviews check out Jordan and Eddie (The Movie Guys)
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