Goliyon Ki Raasleela Ram Leela

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nice movie

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Goliyon Ki Raasleela Ram Leela-480P

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Im very disappointed by the audience for their taste is getting worse each day. I wonder what different they want. What was new in Ye Jawani Hai Deewani? What was new in Krish 3 and whats going to be new in Dhoom 3? The only difference is that Ram Leela is made from the colors of imagination and fantasy and not just that the fantasy is painted as it is on the canvas of a film. All other movies are just the copy of Hollywood worst movies in a worst manner. There are three things that make Ram Leela and exceptional one. First the music. Sir Sanjey hats off to you for not only a superb director but a wonderful music maker. Though I'm a Pakistani but i really appreciate the fact that this movie has utilized the real Indian instruments with songs which sings the soul of India. Second the sets. No movie in Hollywood or Bollywood could make such beautiful dreamy sets just so beautiful. Third the acting of Ranveer and Depika. The way Depika showed emotions in Rang Laga De were just too beautiful and emotional. The music and acting made it the most beautiful song ever. Similarily Ranveer showed so many mixed emotions beautifully. Well i will say our audience are losing their taste. They are not into the classic movies like Ram Leela, Lootera or Sanwariya. They deserve Krish 3 and Rowdy Rathore. Keep it up SLB. Every movie of yours is Superb.

RAM-LEELA not only has a spellbinding effect, but it ships you to an unfamiliar world absolutely. You may have an inkling of the plot, but you definitely don't know how SLB will give an altogether innovative twirl to the premise. On the whole, GOLIYON KI RAASLEELA RAM-LEELA ought to be watched for multiple reasons: the electrifying chemistry between its lead actors, the strong dramatic content, the scintillating musical score, the violent streak in the narrative and of course, Sanjay Leela Bhansali's execution of the material. This is Sanjay Leela Bhansali's most accomplished work to date. It's a work of outstanding artistry. No two opinions about it. A masterpiece by the master craftsman Sanjay Leela Bhansali!

The film starts on Bhansali sets where there are lot of guns. A riot occurs between two groups of people in bhansali sets. Meanwhile Ranveer is introduced by Tattad Tattad song on another Bhansali sets. He has the facial look of Bhansali himself but the lower body is shaved like Salman of 90s. May be Bhansali always had a * for that kind of appearance. Then Supriya Pathak who is member of one of the groups is introduced on yet another Bhansali sets. She continues her Khichdi act from where she had left. In next scene, it is revealed that Ranvir is a * film seller. and just after that the Slutty Savitri Deepika is introduced, this is not a co-incidence…..and yes, on yet another Bhansali set. She plays a Gujju but has accent of a vernacular Marathi. Its Holi so a song starts and Deepika has started doing what she did in BKB, LAK, Cockail, KCK, Yjhd, Lafangey Parindey, i.e. hititng on the hero in the first mulaqat. They are about to have sex too with the underlying idea that "Mor Apne Pankh Kholte Hain, Hum Kapde Kholte Hain". But as we know by now, having watched those Deepika films, she never gives the "happy ending". So not much happens except that at least this time she didn't shy from kissing without shitting in her panties unlike BAH and YJHD. Ecstatic and erect, Ranveer falls in a pond of water created in Bhansali's sets. Then in the next set and scene, they are talking to each other rhyming words with the standards that can compete with the lyrics of Friday by Rebecca Black. Then there's the cheesiest of all dialogues – Deepika "Jigar Pe Mat Ja, Trigger Daba Doongi". Ranveer says "Daba Na". She replies "Chee". Jab Chee Hi Bolna Tha to Trigger Dabane Ki Baat Kari Hi Kyun? Trigger Dabana Hai To Daba Daal Warna Uski Baat Mat Kar. Either be complete slutty or complete Savitri. But then its Deepika Padukone. From here on this is Ishaqzaade Part 2 in Bhansali's sets. Ishqiya Dhishkiyaon song choreography reminds of Govinda-Karishma c-graders. The Police raid scene where police guy exchanges * DVD with bullets is WTF. Ranveer kills Deepika's brother but lust wins over family bonding and now Deepika is desperate to marry Ranver otherwise "Dono Ek Hi Kamre Mein Kaise Reh Sakte Hain". Then after some more Ishaqzaade in Bhansali sets which can be fast forwarded if you are on torrent there is an Indra the Tiger type OTT sword fight scene of Ranveer. Then some more fast forward reveals that the end scene is also same as Ishaqzaade.

Director Mr. Sanjay Leela Bhansali ,is known for taking the scenes far more ahead from screenplay by adding visual magic and he succeeds to create the magic again. He is also master of portraying emotions but this movie lacks his masterstroke. Story is simple, screenplay is OK but dialogues by Siddharth-Garima , are very good mostly. Movie is slow at places even belonging to the action drama romantic genre. Climax is forced because of adaptation. Love scenes are best as usual. Director has given his 200% to conceiving the visuals that he couldn't give his 100% to the emotions. Characters are not well established. A women, who is able to remove bullet from her most loved one person's dead body, possess soft heart!! How!? A person goes to the deadly enemy's house without proper disguise or any other precautions. Even , he can intrude with the help of a tree trunk.Guns are the most common things between them but in pre climax they fight with swords! Main male lead body is deliberately over exposed, which doesn't go well with the premise of the movie, where rest of the person prefers to cover themselves. Performance wise Ranveer Singh is OK but lacks in most of the emotional scenes. Deepika Padukone is adorable. He slaves you to look at herself in every frame. Ratna Pathak is impressive. Richa Chaddha is fine. Music by director himself is OK but lyrics by Siddharth-Garima is very good.

In spite of the not-so-appealing formula music and over the top cinematography, the controversy clad 'Goliyon Ki Rasleela Ramleela' was one of the most anticipated movies this year, courtesy SLB. The opening scene has multiple common men shooting bullets and throwing glass bottles with close precision and accuracy. The grand entry of the hero himself, taking a selfie on a motor bike would have been mesmerizing had it been the 1980s. The overly tanned and oiled up body of Mr. Singh and the dhoti tied up as low as humanly possible attracts the attention of very many local women in the movie and a few watching it. Deepika is stunning as Leela, though. But the essence of the subtle yet intense romance of the great work by Shakespeare is completely lost in this very Indian rendition of the same. Mr Bhansali has reduced it to what we as an audience want, colourful dance numbers, extreme drama and a sexual reference in every other scene. Music is no charm either. With irrelevant songs at irrelevant junctions in the film, the audience is bound to get restless. There was a point in the first half when we became desperate for the intermission, it came some 20 minutes later. The second half is no better. With stretchy sequences, pure masala bollywood dialogues, more useless songs, pointless silhouettes and closeups and typical SLB elements at every step, the movie comes to a close. Supriya Pathak's, Richa Chadda's, and Barkha Bisht's performances are the only high for the movie. All in all the movie makes us feel used and violated. The makers of the film try to cash in on their name, legacy and the Indian viewers' mentality and give us a piece of cinema decorated with warm colours and excessive drama. The sad part is they will succeed in their propaganda with critics like Taran Adarsh and Mina Iyer eulogizing every frame. Sad.