Go Get Some Rosemary

source: Go Get Some Rosemary

Only 1 year after Josh Safdie's directorial debut, came the first true collaboration between Josh and his brother Benny, and it sure is noticeable. Daddy Longlegs is a perfect combination of Josh Safdie's raw tone and passion for storytelling with Benny's creativity and comedy. While they could have used the bigger budget and crew to make a more stylised, traditional Hollywood film, the Safdies have instead opted to perfect the formula that was used in The Pleasure of Being Robbed. That film's raw perspective with a hindered believability is now a completely realized and believable world. The film is so convincingly documentary, in-fact, that it becomes almost impossible to even begin to imagine the process of writing it - absolutely everything feels improvised. All of the acting is great, especially by the kids. The brothers had to go through a very unique directing predicament: dealing with child actors, yet they handle it masterfully. Under the direction of the Safdies, the kid's youth and inexperience somehow makes them all the more believable. It seems like in order to get good performances from all of the actors, almost every piece of dialogue had to be improvised, with only what happens in each scene being decided beforehand. The result of all of this is a movie that makes the audience feel as though they are spying on a family, that they are watching a document of something private and personal, something not meant to be seen. The intermittent tension from the father's temper and recklessness is greatly aided by the raw, documentary approach. It doesn't feel overly dramatic or cliché, but instead gives off a much more relatable feeling that both parents and children can understand, and very much fits the unromanticized nostalgia of the story. Daddy Longlegs is a character study that feels not as though it were a study of a character, but as though it were an objective documentation of real peoples' lives, leaving it up to the viewer to make a study of what they see.

I'd seen several short films by the Safdie brothers who made this movie as well as the their features The Pleasure of Being Robbed and Good Time. I liked all of them, but I didn't necessarily love them. But I figured that this one would at least be worth watching, and boy was I right! From the very beginning it's wildly intriguing and entertaining, and it just keeps getting better. It feels so very real and very raw. In a lot of way it feels just like a John Cassavetes film, which is definitely a good thing. And it doesn't feel like someone set out to try to make a film in that style, but more like they just tried to make this raw, realistic portrayal of a very interesting character, and that was how it turned out. Almost like the Cassman did it himself! And the lead role, played by Ronald Bronstein, was seriously great and fun to watch. That guy should be in more stuff. He was perfect for the part and I'm guessing that it was probably written for him. It was honestly one of the very best performances I have seen in the last ten years. And it never lets up. Watch this movie if you can. You won't be disappointed. But if you somehow do end up being disappointed, maybe go check out something with Chris Pratt in it instead; that may be more your speed.

Go Get Some Rosemary (also titled as 'Daddy Longlegs') is a truly great film. It pulls no punches and shows the mark of some truly great up and coming filmmakers in their earlier days. It also features a wonderful and memorable performance from Ronald Bronstein, who also co-wrote the film.

The Safdie Brothers certainly served their apprenticeship. Their 2009 film "Daddy Longlegs" (aka "Go Get Some Rosemary"), is as independent and as close to 'cinema verite' as American cinema gets and its study of a deadbeat father's relationship with his sons is full of an improvisatorary feeling where the players don't so much act their parts as live them; we could be watching a documentary. There's no plot, just a series of nicely observed slices of life filmed on the streets of the Safdie's native New York and showing all the promise of early Scorsese. Where it falls down is in its lack of any kind of substantial drama not, of course, that great drama happens very much in everyday life but after a certain length of time people-watching can become a tad dull. What sustains the film is the superbly naturalistic performance of Ronald Bronstein as the father, (he was also one of the film's co-writers). A newcomer, it's almost impossible to say where Bronstein ends and his character begins. He's wonderful in the part but he's also the kind of man I would cross the street to avoid, lacking as he does any sense of responsibility. The kids, too, are excellent, again not so much 'acting' as simply playing extentions of themselves. The film itself comes over as a cross between autobiography and homage and is a little too personal for mass consumption. It's sufficiently good that I wish I liked it more.

Presenting a sad and familiar tale, a father who gets his kids 2 weeks a year, the Safdie brothers semi-biographical story is supported by wonderful acting and very raw characters. Non moralizing, this film shows what it's like to be a parent: sometimes good sometimes bad, struggling to do the right thing often. Though steeped in mumblecore style, the film does a great job of showing a person living on the margins and dealing with it as best as possible given who he is. Fun anecdotes, hilarious scenarios, heartfelt moments, all come with an asterisk as you cringe at the parenting style and ineptitude to give his children everything they will need in life. Showing that childhood and our lives at large can be fun and sad at the same time, this movie was well worth the watch.

Daddy Longlegs (2009) Directors: The Safdie Brothers 7/10 From the brothers who will later bring us the phenomenal "Good Time", Low budget handhelds create many laughs and what the f*#$& moments, Bronstein's performance impresses by managing to be appallingly appealing, Irresponsible non-father trying his best with his 2 weeks a year 7 & 9 year old sons, Indeterminate ending to a whirlwind ride leaves one feeling the same way. Gogyohka literally translates to "five-line poem." An alternative to the tanka form, the gogyohka has very simple rules. Five lines with one phrase per line. What comprises a phrase? Eye of the beholder- or the poet, in this case. #Gogyohka #PoemReview

source: Go Get Some Rosemary

Presenting a sad and familiar tale, a father who gets his kids 2 weeks a year, the Safdie brothers semi-biographical story is supported by wonderful acting and very raw characters. Non moralizing, this film shows what it's like to be a parent: sometimes good sometimes bad, struggling to do the right thing often. Though steeped in mumblecore style, the film does a great job of showing a person living on the margins and dealing with it as best as possible given who he is. Fun anecdotes, hilarious scenarios, heartfelt moments, all come with an asterisk as you cringe at the parenting style and ineptitude to give his children everything they will need in life. Showing that childhood and our lives at large can be fun and sad at the same time, this movie was well worth the watch.

Only 1 year after Josh Safdie's directorial debut, came the first true collaboration between Josh and his brother Benny, and it sure is noticeable. Daddy Longlegs is a perfect combination of Josh Safdie's raw tone and passion for storytelling with Benny's creativity and comedy. While they could have used the bigger budget and crew to make a more stylised, traditional Hollywood film, the Safdies have instead opted to perfect the formula that was used in The Pleasure of Being Robbed. That film's raw perspective with a hindered believability is now a completely realized and believable world. The film is so convincingly documentary, in-fact, that it becomes almost impossible to even begin to imagine the process of writing it - absolutely everything feels improvised. All of the acting is great, especially by the kids. The brothers had to go through a very unique directing predicament: dealing with child actors, yet they handle it masterfully. Under the direction of the Safdies, the kid's youth and inexperience somehow makes them all the more believable. It seems like in order to get good performances from all of the actors, almost every piece of dialogue had to be improvised, with only what happens in each scene being decided beforehand. The result of all of this is a movie that makes the audience feel as though they are spying on a family, that they are watching a document of something private and personal, something not meant to be seen. The intermittent tension from the father's temper and recklessness is greatly aided by the raw, documentary approach. It doesn't feel overly dramatic or cliché, but instead gives off a much more relatable feeling that both parents and children can understand, and very much fits the unromanticized nostalgia of the story. Daddy Longlegs is a character study that feels not as though it were a study of a character, but as though it were an objective documentation of real peoples' lives, leaving it up to the viewer to make a study of what they see.