Ferris Bueller's Day Off

source: Ferris Bueller's Day Off

Trailer—Ferris Bueller's Day Off

Ferris Bueller's Day Off

Must see if you're born in the 90s & 2000s. Most movies from the 80s lose their appeal as we age. This one has held its entertainment value through the years. Best movie of the 80s.

As much as I like this film, I actually consider Planes, Trains and Automobiles John Hughes' best film. Ferris Bueller's Day Off is immensely fun and likable as both a comedy and a film. It is marred slightly by some of the sentimentality, but the story is engaging and the script is smart and funny. Hughes does a very admirable job directing, and the film also boasts some lovely cinematography and a catchy soundtrack. Then there is the acting, I liked all the performances in this movie. Matthew Broderick indeed plays an arrogant, spoiled and bratty sort of character, but he actually manages to give him some likability too. Alan Ruck is also excellent as his melancholy friend, and Mia Sara is gorgeous as his girlfriend. But it is Jeffrey Jones who almost steals the show as he suffers all those humiliations he goes through. In conclusion, I like it a lot and it is one of Hughes' best. 9/10 Bethany Cox

Even as a child when I saw this movie, I never liked Ferris, I thought the character was a creep and that something was wrong with him. It always baffled me why the character was painted in a heroic light. I understand that people love this movie and I don't want to take that away from anyone, you love the sh*t out of this movie, also I see plainly that I am in the minority, in regards to audience reaction to Ferris Bueller's Day Off. Recently, some one has published an article arguing that from a clinical observation, the actions of the character Ferris, would in real life be those of a psychopath.I feel a lot of validation from reading this article ( apologies to the article's author, I didn't bother to learn your name ) because it explains to me the impression of Ferris Bueller I had as a kid. Filling his hours with meaningless deceptions, manipulating everyone he comes in contact with, always seeking to be the desperate center of attention. F*cking monster.

I have an ongoing discussion with my friends and family about what movie defines your generation, and for me, this is it! Ferris' commentary throughout the movie is hilarious and irreverent, giving a voice to those on the borderline between Generations X and Y. It's Office Space, the teenage years! This movie is witty and fast-paced, not relying on the bathroom humor and physical comedy that most teenage and college comedies do these days. Yes it is dated, but that's part of what makes it great. I love it!

Broderick banked off that boyish charm that made him so popular on the Broadway stage (Brighton Beach Memoirs) and brought it to this witty laugh ride about a high schooler who one day, just didn't want to go to school and puts himself and his friends in constant mayhem and jeopardy. Broderick is perfect, but it is Jeffrey Jones who gives a searing comic potryal of Ed Rooney, a Mr. Weatherbee-like principal wanting to catch Ferris in only act of treachery; holding him back for one more year of high school. John Hughes is at his best here. The dialogue for this film has received such a following that it has even been printed on shirts and recited at parties by true fans of the film. I don't blame them. It's a classic!

Matthew Broderick looked so brilliant in those days. While this film single handedly made him Ferris Bueller forever, at least this is a film that can be seen all throughout the years without dating too badly. Sure, the music and props will signify a time of discontent and bad hairdos, but the idealistic look of a man simply wanting to ditch school has never been made more daringly and charmingly. Everything about this film was gold, from the postmodern "conversations" with the audience to the little back stories which seem to shape the overall canvas of the film. While Alan Ruck was way too old to play in this movie, at least he proved to be a great opposite to the cool and nonchalant Ferris. Gross-out comedies may now be the norm, at least we can look back to this film and enjoy a good, genuine laugh.