Evil Come Evil Go

That's funny. I was just thinking the other day that there aren't nearly enough gory Sexplotation, Christian-feminist flicks. And come to think of it, there most certainly are. This one being about as entertaining as it needs to be. Evil Come Evil go; the story of the extremely southern-sounding, traveling preacher-killer. The Foul-mouthed Sister Sarah Jane. I don't mean she kills preachers. I mean this chick is a preacher, or she at least thinks she's one. Plus she lures unsuspecting men with the high hopes of sex, and all they ever get is gory death. Sister Sarah really, really hates men. When Sister Sarah hooks up with Penny the naive lesbian, promising her salvation, or something similar.Tthey quickly become partners-in-crime. Not a lot of story to tell. More "love scenes" than anything. Just the sleazy 70's in all its glory. Looking for a good double feature? Try pairing this one up with John Waters' Desperate Living. And if You're a chick who happens to despise men, all the better. Actually, come to think of it, Evil Come Evil Go can be found on a Triple-feature DVD, from Something Weird Video, which is awesome, but something so entertaining definitely deserves a stand-alone release. Honestly, I would recommend quite a few other trash epics before this one. However, Evil Come Evil Go tops a whole lot of others I've seen. In other words, nothing groundbreaking, but it ain't boring by any means. So, if humorous, vintage Sexploitation gore, with plenty of rewatch value is what you're looking for, well, then I guess there's nothing more to say. 7/10

Unusual, sex/slasher/comedy, with evangelical theme. In truth the sex is fairly well done, let down only by the low lighting (and frequency), the bloody scenes are also not bad and it really is amusing now and again. Sister Sara is a self styled 'anti- pleasurable sex' evangelist who enlists another to help lure men and then do them in, because they are so evil. This is all made watchable though by decent use of original music and hymn singing(!) sometimes accompanied by tambourine thumping. It is particularly impressive at the start and we see the girls on the street but it looses it's way a little two thirds in when we reckon it's all over but it then steps up a gear and finishes with a flourish. If you think this review is a bit muddled, you should see the film. Fun to be had nonetheless.

It's not Citizen Kane.. but it isn't trying to be. It is a schlocky, early exploitation piece with sex, murder and religion.. A true mish-mash of genres. I'm amazed that no one has made note that the Robert Chinn in the credits became the "Famous" Bob Chinn once he hooked up with John Holmes and began directing the "Johnny Wadd" series. The next film featuring some of the same workers was "The Demon in Miss Jones".. aka Sex Psycho.. which featured an early appearance by John Holmes.. therefore making that film the first time Chinn/Holmes worked together. This film is more gore-centric where Sex Psycho is more sex centered. All in all.. a pretty good waste of time.. you could do lots worse.

One of the better horrible movies I have seen from the 70's. The story line is good and could make a great movie today, but the acting and quality of the picture is poor. Regardless, I was captured by the film and was really wanting to see where it would end.

Totally bonkers traveling evangelist Sister Sarah Jane (robustly overplayed with lip-smacking relish by Clara O'Hara) embarks on a deranged holy mission to rid the world of sex-obsessed men. After befriending naive, but wealthy lesbian Penny (a winningly sincere performance by pretty and busty brunette Sandra Henderson), the pair decide to embark on a crazed killing spree in Hollywood, California. Writer/director Walt Davis illustrates in the most gloriously lurid manner imaginable how religious fervor can directly lead to homicidal dementia by piling on plenty of grotty gore and seamy quasi-pornographic soft-core sex. The grungy locations, off-kilter story, and overall pervasively loopy sensibility further enhance the bizarre charm of this singular 70's exploitation oddity. Moreover, O'Hara has an absolute field day with her juicy role; she's a total hoot to behold as she sounds off on the wickedness of engaging in pleasurable sex and sings gospel songs with infectious go-for-it gusto. Legendary * stud John Holmes makes a fleeting appearance as a pool player in a low-rent bar. Manuel Conde's rough unpolished cinematography provides an appropriately scroungy look. Dan Goodman's jaunty honky-tonk score hits the spirited spot. Good trashy grindhouse fun.

Street preacher Sara Jane (Cleo O'Hara) believes God has put her on this Earth to rid the world of pleasurable sex. She receives shelter from Penny (Sandra Henderson), a lesbian who Sara Jane promises to turn to God. How does she do this? By having Penny help her in killing anything that humps. This is certainly one of the more bizarre horror morality tales out there. Clocking it at a lean 73-minutes, I would say 60% of that time is spent with the camera lens ogling * bodies. Not that I mind, but it does tend to get a bit monotonous. Things liven up whenever O'Hara is around though. Dolled up like Baby Jane and sporting a southern accent the would fit in perfect in COAL MINER'S DAUGHTER (the first half, that is), she is a hoot as she sings Bible hymns while killing (and dreaming of having her own evangelical show). There are quite a few stabbing deaths in here with some H.G. Lewis blood on display. I have no idea who the target audience for this was - T&A fans? Horror fans? Religious freaks? All of the above?

Evil Come Evil Go (1972) * (out of 4) Insane sexploitation film has a God-loving woman calling herself Sister Sarah Jane (Cleo O'Hara) and she goes across the country teaching people that sex is evil. This Sister thinks the best way to teach people this lesson is by picking men up in bars, taking them to a motel and then cutting them up. Whenever you dive into the world of DVDs released by Something Weird you know you're going to get something weird and that's the case here. This is an extremely strange little film that features a lot of sex and nudity but very little plot. The idea of a religious nut going around killing people who have sex is something funny but not for a feature film. The plot here is enough for a short film but this here runs 72-minutes, which is just way too long as the film grows old very quickly. As is to be expected, the performances are all rather bad and the direction is even worse. The low-budget nature of the film doesn't leave for many pretty technical things but then again if you're watching something from Something Weird then you know this already. Another problem I had is that the lead actresses just aren't cute enough to carry this type of sexploitation film. If you're a fan of weird films then this here is certainly a must see but keep the remote handy.

In the annals of cult cinema, few films have achieved the delirious heights of depravity and audacious absurdity as Walt Davis' 1972 exploitation extravaganza, "Evil Come Evil Go." This cinematic fever dream defies conventional storytelling, opting instead for a surreal odyssey that plunges headfirst into the depths of human perversion and debauchery. From the opening frames, "Evil Come Evil Go" establishes itself as a cinematic experience like no other. The narrative, if one can call it that, is a loosely woven tapestry of vignettes that explore the darkest recesses of human desire and depravity. Davis' direction is uncompromising, unapologetic, and utterly unhinged, creating a fever dream that oscillates between moments of shocking brutality and absurdist humor. The ensemble cast of "Evil Come Evil Go" delivers performances that transcend the boundaries of conventional acting. Each character is a caricature of human excess, embodying the most extreme and twisted facets of human nature. From the sultry and seductive femme fatales to the deranged and sadistic villains, every performer commits wholeheartedly to the film's delirious vision, creating a tapestry of unforgettable and often disturbing characters. "Evil Come Evil Go" is a film that revels in its own depravity, pushing the boundaries of taste and decency to their absolute limits. Davis' unflinching exploration of taboo subjects, from graphic violence to explicit sexuality, is both shocking and mesmerizing. The film's ability to elicit visceral reactions, whether it be revulsion or perverse fascination, is a testament to its power and audacity. Despite its controversial subject matter and uncompromising vision, "Evil Come Evil Go" has earned a well-deserved cult following over the years. Its unapologetic embrace of excess and its willingness to challenge societal norms have made it a touchstone for fans of transgressive cinema. While it may not be for the faint of heart, those willing to embark on this delirious journey will be rewarded with an unforgettable cinematic experience that defies categorization. "Evil Come Evil Go" is a film that demands to be experienced rather than simply watched. Its audacious vision and uncompromising exploration of human depravity make it a cult classic that has stood the test of time. While its excesses may be too much for some viewers, those willing to embrace its madness will find a cinematic odyssey that pushes the boundaries of what is possible on screen. It is a film that will linger in the mind long after the credits roll, a testament to the power of transgressive cinema and the enduring allure of the deliriously depraved.

This film, a weird cross-breed of horror and soft-core *, is one of the more original low budget flicks from the 70s. Apparently intended for the grindhouse crowd(and coming near the end of that era), this movie mixes sex with religious fanaticism and gore. Sister Sarah Jane drifts cross-country, preaching against the evils of pleasurable sex and men. And how does this fine lady do the Lord's work? By hooking up with men, having sex with them, then stabbing them to death! Sister Sarah takes her message to the streets of downtown Hollywood, where she finds a disciple in naive Penny, a wealthy lesbian who swears to renounce her tendencies and follow Sarah. Together, they conspire to enact Sarah's master plan: Penny lures the men to her house and has sex with them and Sarah kills them. As sick as it sounds, it works. Actress Cleo O'Hara handles her role as Sarah Jane skillfully, going from bible-thumping harpie to slutty pyscho believably. If you're looking for a sick time, check this one out.

Obviously one of those sleazy films of the 1970's that always read better in a synopsis better than they play out in front of the eyes, "Evil Come, Evil Go" however does stay in the mind for a while after viewing. It's sure not the uninteresting sex scenes full of pasty, unshaven, unattractive people doing their best to try and act out something passionate that does it, or the lackluster "Hold the cue card closer, I can't read my lines off of it!" acting style. The film comes across as more of a pseudo-documentary, simply following the Preacherwoman through her motions as she acts the hypocrite, snorting fire and brimstone on those stupid young lovers, then picking up guys in bars and butchering them in a hotel room. Badly shot, badly acted, but yet plays out in a way that keeps one's attention. Go figure that one, huh?