Everybody Sing

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Trailer—Everybody Sing

Everybody Sing

That's right. This movie is for die-hard Judy Garland fans only. Still there is a fascination with it seeing Judy and Billy Burke. What's nice is seeing an age where there were no cell phones and everyone seems to have been polite. Of course, the very poor must have been hidden somewhere in this economic structure... This is a movie which has glimmers of Judy's later (or was it earlier?) successes. It is interesting to watch her career take off. this is line 1 this is line 2 this is line 3 this is line 4 this is line 5 this is line 6 this is line 7 this is line 8 this is line 9 this is line 10

That's a good screenplay. Judy Garland plays a girl named Judy (what a coincidence !) who has lots trouble in school but, with the help oh her maid and her cook, she will see her life change. I love Fanny Brice's performance. She's so funny! I love all the Judy's movie until now and I want to watch all of them !

I agree with most of the other comments: dull songs and a somewhat boring movie. I loved Fanny Brice as the Russian maid though: after watching her first scene I wondered "Who is that?" and looked it up. I had only heard of her through the movie "Funny Girl" (which I didn't like and couldn't sit through). The Baby Snooks number was awful, a total embarrassment: imagine a 46 year old woman dressed up like a toddler and speaking baby-talk! I'm surprised no one else has mentioned the jaw-dropping scene where Judy appears in black-face, her hair sticking up in cornrows all over her head, and sings a bouncy down-South number with all the usual racist stereotypical mannerisms of the time. Quite startling to see!

No, this isn't a good movie, despite a lot of talent in front of the camera. The script is uninteresting, and manages to turn some very likable actors, like Billie Burke and Reginald Owen, into unlikable characters. As others have remarked, there is no memorable music here, which is fatal for a musical. What I did get a kick out of, however, was a parody of the quartet from the last act of Verdi's Rigoletto. Four of the leads are on a bus, and Alan Jones, the tenor, starts off, in his best operatic style. As the others, especially Garland, enter in, however, they do jazz variations on the different parts. If you know the quartet, it's really very clever. What I found interesting about it is that it assumes that much of the audience would know the original piece. And, in 1938, they might well have, from the radio, where that sort of immediately likable classical music was common. Today a similar parody wouldn't work, because few would know the original.

I've never really gotten Judy Garland. Maybe because I wasn't raised with a TV and annual "Wizard of Oz" showing. (Yes, I do love "Meet Me In St. Louis.) Enough about me, though. The point is, I watched this only for the delightful Fannie Brice. She is funny and charming as the family maid, Olga. Maybe her personality is a little too large to work in a movie. The plot is overly familiar. Allan Jones is as annoying as always. Billie Burke and some of the players in smaller roles are fun but forgettable. But Her every line and facial gesture made me laugh. Would that she'd done more movies!

This is very fun Judy Garland movie before "Oz". It's neat to see Judy in so much trouble! I enjoyed seeing Billie Burke in this before she became immortalized as Glinda in "Oz" also. All the actors give fine performances, and it's a rare treat for Fanny Brice to be in this film. She is hilarious as the Russian maid. Judy steals every scene she's in! Allan Jones also was superb. I am a big Judy Garland fan, so this might seem biased! Sure, the Baby Snooks number might seem a little corny, but overall, I give this 9/10, because I wanted it longer!