Drought

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source: Drought

Moviecut—Drought

This is such a sweet, honest, warm movie. Gorgeous work from hannah black and megan peterson. I will be watching again and i can't wait to see what they make next.

During my initial viewing of DROUGHT (I have since revisited the picture) I was overwhelmed by the sheer satisfaction I felt. It isn't flawless, but it's one of the most important films I've seen during the pandemic. Weathering all possible hardships during filming; from a hurricane to a sudden family tragedy, the outcome is mightily impressive and one that all involved should be proud of. Owen Scheid, an actor on the autism spectrum, debuts with a performance that demonstrates that casting should NOT have boundaries. Nevertheless, the addition of an autistic character was a subtle metaphor for the ignorance of society towards the drought and as social commentary that expands to topics such as climate change. There's a scene whereby Carl's (Scheid) boss explains to Carl's sister, Sam (Hannah Black) that Carl "cannot be on the premise unless he's shopping." A tragic line that gripped my throat. Discrimination and thoughtlessness existing to maintain the status quo. This is why Sam agreeing to follow Carl, as they run towards a storm is a beautiful narrative. It displays the thickest of skin and the strongest bond. It also illustrates the innocence of Carl to see beauty and method in the madness. Naturally, this brings me to Black's unbelievably mature performance as she overcompensates for Carl's aforementioned inadvertent foibles by building an impenetrable outer shell that seeps raw emotion as she reveals nuanced signs of vulnerability. As the narrative unfolded it became apparent that the troubles of each character were identified. During these moments the road trip becomes a form of therapy. The writing is intelligent; not forcing conflict but rather progressing it organically through communication, as each character begins to become comfortable and air their grievances. Again, this is an example of Carl's honesty becoming a necessity as the dialogue cuts through the claustrophobia developing within the van. I felt as though I had more air to breathe as it became clear. The true genius of the screenplay is balancing the distress with the tenderness and providing them in equal measure, ensuring that neither ever take precedence over the other. I compare this to the work of John Hughes in the classic PLANES, TRAINS AND AUTOMOBILES (1987) and more recently THE PEANUT BUTTER FALCON (2019). I'm not saying that DROUGHT is as refined but its merits shouldn't be ignored. I do hope this film finds the audience it deserves. I digress... The introduction of Lillian (Megan Petersen), sister of Sam and Carl and Lewis (Drew Scheid) make this possible. Petersen gives Lillian the characteristics needed to counter Sam's hostility. Without wishing to spoil the narrative, Lillian's calm approach offers a platform from which she and Sam can bounce off one another, portraying seemingly natural chemistry. It could be argued that their relationship is the spine of the screenplay. As I sat down to write this review, I mulled over why I attached myself to this picture so gleefully? "Gleefully?" I thought. It occurred to me that I felt the presumed enjoyment that went into filming DROUGHT. I could visualize myself sat at the back of the van as the ice cream van jingle chimed merely. This film doesn't take itself too seriously but simultaneously delivers a punch when needed. I always maintained a sense of pleasure that went into the project. I got the impression that there was no chance of anyone involved contributing to a lacklustre picture. This is exemplified by Lewis, whose cheeky and energetic nature fits perfectly as the final piece of the jigsaw. Without having visited any small towns in North Carolina I'm not in a position to comment on how adequately they have been represented. Though, what I can confirm is that I took away a sense of normality and fortune. How within the most ordinary environment, the most ordinary group of characters can produce a heartwarming tale that is about nothing other than finding beauty in life.

Drought is one of those movies that feels impossible not to like. A fun, good hearted indie flick bestrewn with several moments of emotional brilliance. I can honestly say I was moved to tears by this film multiple times. Hats off in particular to the lead actor Owen. Scheid, who's outstanding performance steals the show in every scene he's in. Really wonderful film.

Watching at the shooting I just feel it's so different from movies I watched. The close up just weird and make me uncomfortable especially when the acting is not pretty. I wonder what lens they use when film. Technical perspective I put this rating.

Looking at the 10 out of ten reviews and 9 plus stars with very few votes and guessed it' a low budget horrible waste of time. It had 'hyping you product' written all over it and sadly it's as bad as predicted. They've tried to delete comments calling them out for this tactic and critical of the movie too. I should have skipped this film..... it's pretty bad. It's a sad, weak amateur 4-5, with bad dialog weakly delivered, but for the straight up misleading the reader it loses 2-3 stars. Next time spend more time on your movie and less time writing fake reviews.

I watched Drought at a local film festival and couldn't believe this gem was made outside of the mainstream production center. The plot, the acting, the editing, everything was so professional, moving, real. The cast was perfect, believable. The dialogue and action engaging, smart, funny, sad. I hope it wins the festival and I hope it makes it into everyone's homes (or movie theatres, when we get those back). Brilliant!

Inbetween all the other projects and coronaclosures and restriction road trip movie , directed written and lead acting, probably edited and produced too by Hannah Black. Its a empty story without a hint of real spectrumized behaviour, ill rather call the illness idiopathic stubborness in this case, a story about siblings in a family off the hinges, decides to go storm hunting in steephdads icecream sales truck somewhere tornado alley USA. On the road comes also the siblings ''babysitter''(their moms in jail), and a buddy boyfriend of the siblings do also join. They drive , sleep and eat as everyone else do, will they find a storm cell though? Drew scheid is this films only highlight, hes recklessly fun in his acts, and use his body language to fulfill the lack of good script. He should really develope his witty acting even more(do the pantomime) and the future of a good comedy actor will be a fact. The rest of the cast is just stiff necked, high shouldered, clutched jaws, and stiff upperlip, like under the threat of a loaded gun - acting, with fast headshakes and nods and arm and leg wavering all directions, seeming uncomfortable, even though they are bestfriends in real life too. So i ask why dont act normal and as usual? Its like a flock of small fish running from the hunting whales, these road trip movies, and just 1 outta 100 really hits the target. This film is grim on ideas, lacks spontanity, and its on the brink of a 1 star value. But there maybe things ive missed to catch, allthough not impressed at all ill give it a 2 star award. Having first hand experience with close family members, with the asperger spectrum diagnose the message from the grumpy old man to hannah black is, learn the theoretical backgrounds of things you attach to your films, do smile whatever and however you feel, road trip movies are smiling movies, and you dont smile once in this film. Thats bad acting and bad marketing. Try to thaw up when the author cramp hits you, because its well reflected in this flick.