Desperately Seeking Susan

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source: Desperately Seeking Susan

I had heard about Susan Seidelman's "Desperately Seeking Susan" for years, but only now got around to seeing it. Admittedly it's a silly movie, but very much an enjoyable one. The contrast between Roberta's supposedly ideal life and the seedy world inhabited by Susan says a lot about our country (even if it only tickles the funny bone). Rosanna Arquette and Madonna put on some great performances, as do the other cast members. It turns out that Mark Blum (Gary) died of COVID* a few months ago. I hadn't even heard about his death. Anyway, it's a fun movie, if a bit dated. Other cast members who got more famous later on are Aidan Quinn, Laurie Metcalf, John Turturro and Michael Badalucco (most recently appeared as the friend's dad on the Netflix series "Never Have I Ever"). *We have this pandemic in 2020, while at the time of the movie's release, AIDS was the pandemic. As I once heard, history doesn't always repeat itself but sometimes it rhymes.

The thing to see in Desperately Seeking Susan (a film I watched all the way through, for some reason or other, in the wee hours of morning) is the style of its time, the music, and Madonna. While she may have been lesser known when she was shooting this, by the time it was released it showed itself in its colors as just slightly more than a predictable vehicle. The cast that's set up (Rosanna Arquette, Aidan Quinn, Laurie Metcalf, Steven Wright) do what they can, and they show how they would go on to bigger and brighter roles and careers. But there's just something about the script that kept on bugging me. Perhaps it's the device of amnesia- on top of the dopey, cute-to-the-girls guy (Quinn) that bugged me, or the way that situations just seemed to skim around truth in the plot. Then again, it is a suburbs vs. city fable dealing with personal ads, missing earrings, and a Magic Club. As a chick flick fantasy of the times it does work, but there's not a whole lot for the rest of the audience. Or, perhaps, this just wasn't my kind of movie, despite liking the actors, and being intrigued by the time-capsule nature of the lower-east side and attitude of NYC. Although, Madonna was rather appealing in parts, if not as a whole performance (and definitely appealing compared to now, nineteen years later, as she goes through a "kaballah" phase).

God I love this movie! Easily Rosanna Arquette's best movie...come to think of it, Madonna's best movie too. The story is fun and engaging. The bad guys are really bad, the leading man is handsome Aidan Quinn. The comic relief is top-notch. "Oh, go take a Valium...like a Normal person," says a pre-Rosanne Laurie Metcalf. Fun from beginning to end. God bless Susan Seidelman.

Desperately Seeking Susan (Susan Seidelman, 1985) is an appealing, unconventional film about a shy, put-upon young married woman (Rosanna Arquette) who swaps places with a free-spirited man-eater (Madonna) after a bump on the head. A dated dramatic device, perhaps, but it's such a sweet, sassy and otherwise well-plotted affair we'll let it slide. The film inhabits a similar universe - and employs the same neon aesthetic - as Scorsese's ever-underrated comedy After Hours, but this is an altogether gentler affair. Sure it plunges its heroine into a seedy world dominated by shady, peroxide hit men and amorous conjurors, but it's in many ways preferable to the yuppie nightmare she's been living with all-time idiot-hole Mark Blum. At least here she's got love on her side, courtesy of kind-hearted Aidan Quinn (the psychotic drug-addled baddie in the Richard Dreyfuss-Emilio Estevez buddy movie Stakeout). Arquette, who played the lead in the classic John Sayles romcom Baby, It's You, is perfect as the doormat desperately seeking excitement, and while Madonna isn't a great actress, she's both hugely charismatic and ideally cast as the manipulative, posing, sex-obsessed Susan. Also look out for John Turturro in an early role as a nightclub compere. A little gem from out of left-field, this one, with an engaging storyline, memorable characters and a disarmingly peculiar sense of humour. Trivia note: The new Madonna song on the soundtrack is Into the Groove. Not one of her best singles of the period, but still pretty damn decent.

Madonna's first real cinematic break came with this little film of mistaken identity and hilarious situations. Rosanna Arquette stars as a bored housewife who keeps track of Susan (Madonna) through personal ads in the newspaper. She becomes somewhat obsessed and decides to meet Madonna herself and actually buys Madonna's coat. Arquette looks at Madonna as a hero and tries to copy all her moves to make her life better. Naturally Madonna is wanted by the mob, but they find Arquette instead and believe that she is the girl they want. A clever little story raises this film to a fair level, but still the movie plays more like a music video or a Bugs Bunny cartoon rather than a real motion picture. Another pure product of the 1980s that tried to dazzle with its music and its good-looking cast. They were only somewhat successful here. 2.5 out of 5 stars.

I don't care how many times I see this movie - it NEVER gets old. NYC was a very big deal back in the day, and this movie captured a lot of it. I miss the Danceteria and the Pyramid Club. What a fun time. The movie is very lighthearted and fun. Makes me want to go back to NYC, even though I know the good times are gone. boohoo

This was on television and the title sounded cool. Plus for whatever reason I relate this film to a cultural landmark film, for whatever reason. Maybe because I heard this film is a touchstone blah, blah, blah fashion and extra. Whatever they are trying to pass this boring piece of garbage off as, it didn't work on me. I changed the channel after 20 minutes. Life is too short to waste on films you're going to forget about in 5 minutes. Madonna was supposed to be a big deal back in the days. She isn't even hot. This was her in her prime and she is maybe a seven, tops. She just dresses loose and wears sh!t load of makeup. Anyway, this movie blows. Avoid it.

"Desperately Seeking Susan" isn't so much a homage to the screwball comedy as it is a homage to the screwball situation. It doesn't try to be riotous or anything remotely Ernst Lubitsch — instead, it flutters by with half-smile as it discombobulates the at-first congenial attitude of the atmosphere. Never did I find myself laughing hysterically, but here, that's not the point. It wants to be an amuser in the same mindset as "Pretty in Pink", no knee- slappers to be found but charm spread aplenty. Because that's exactly what "Desperately Seeking Susan" is: a charming comedy of errors that likes to get its characters into as much trouble as possible for satisfactory diversion. Rosanna Arquette portrays Roberta Glass, a bored housewife who spends her afternoons watching cooking shows and living vicariously through the lonely hearts in the classified ads. Most interesting to her is the recurring 'Desperately Seeking Susan' ad, which follows the romance between Jim (Robert Joy) and his sexy girlfriend, Susan (Madonna), both of whom are young, bohemian, and fiercely independent. As she twiddles her thumbs for the umpteenth time one afternoon, Roberta decides to act as onlooker, tracking the twosome down and watching their public encounter from afar. She becomes infatuated with the street stylish Susan and, after a series of complicated events I won't bother to explain, she bumps her head, gets amnesia, and falls under the impression that, she is, in fact, Susan. Most housewives would want to be like the free-spirited woman, but Susan, as it so happens, is in a lot of trouble. Her boyfriend has just stolen valuable Egyptian jewelry, jewelry she enjoys wearing, and a gaggle of thugs are thirsty to get their paws on the collection. So as Roberta wanders around the city bearing Susan's name and wearing her clothes, the criminals begin to chase her, while the real Susan causes a ruckus elsewhere — eventually leading to Roberta's confused husband (Mark Blum). "Desperately Seeking Susan" is the best kind of amusing: pleasant but not so much so that we become immersed in the fact that things aren't as zany as they could be. The film is smartly amusing, after all, with the comic scenario bettering as it grows increasingly convoluted. The screenplay sizzles in its ability to entice us into Susan's world of bohemian style, and the actors are all winning: Arquette, in particular, carries the movie with her sincerely warm characterization. But the best thing about "Desperately Seeking Susan" is Susan Seidelman's great eye for street life: I've never been one to figure a movie is better simply because of the decade it sits in, but Seidelman, intentional or not, finds all the best things about the 1980s and seems to cram them into one excitingly snazzy picture. The ghettos are effectively hip, the suburbs slightly tongue-in-cheek, like "Wild At Heart" if it wasn't crazy. Seidelman's vision is best reflected in Madonna, in her earliest incarnation and her most kitschily well-dressed. "Desperately Seeking Susan" is slight when it comes to comedy but hugely successful when it comes to pure enjoyment. A product of the times, it has aged gloriously as a nostalgic piece snug in all the right places. And nothing's better than the boho sensuous Madonna (providing the soundtrack with guilty pleasure "Into the Groove") before she got all blond ambitious and stopped looking like the chic spunk who stole records as a pastime.