Cyrano de Bergerac

Cyrano de Bergerac

Cyrano has always been one of my favorite stage plays. I always felt I could very much relate to the feelings of being different. When I finally saw the film version, it took my breath away. What a spectacular piece of acting by Jose Ferrer. It was everything that the swashbucklers from the 30s and 40s were supposed to be! I have always thought, however, in this version, that Cyrano should have ignored that ingrate Roxanne and run off with the Orange Girl (Elena Verdugo). Yowza!

"Cyrano de Bergerac" is based on the play by Edmond Rostand about a swordsman and poet with a long nose who helps another man to win the woman he loves. The film's story is an abridged version of the play based on the famous English translation from Brian Hooker. José Ferrer is excellent in the title role as Cyrano de Bergerac. He handles all aspects of the character well, from the sharp poetic dialogue to the reluctance in conveying his feelings to Roxane. The rest of the performances were respectable as well, though clearly the title role requires the most acting ability. This film is criticized for its minimalist sets. Admittedly they never bothered me, but at times the film was excessively dark, especially during the combat scenes toward the end of the film. The story is abridged, but for me the essential components of the story were there with clever verse of Hooker's translation and the tragedy and humor of Rostand's story. The swordplay scenes are believable, though not exceptional other than for Cyrano's ability to fight and compose poetry simultaneously. "Cyrano de Bergerac" is a solid adaptation of Rostand's play best known for a striking performance from José Ferrer.

A remarkable achievement in directing, acting, and writing. Jose Ferrer delivers the performance of a lifetime that strikes deep into the heart. Anyone who has even been mocked, scored, or ridiculed, or simply felt unworthy of the affections of another will sympathize with Cyrano, and Ferrer brings the character to life as no one has ever been able to do, before or since. The movie is exceptionally smart, humorous, and tragic all at the same time. A perfect film.

Jose Ferrer first performed "Cyrano de Bergerac" on Broadway in 1946, where it achieved a very successful run (for a revival). Ferrer was highly acclaimed in the role and won a Tony for his performance. His success in the role enabled him to be the first actor to bring "Cyrano" to the big screen in English. This was in 1950, in a Stanley Kramer-produced film for which Ferrer won the Best Actor Oscar, beating out such actors as James Stewart in "Harvey", William Holden in "Sunset Blvd.", and Spencer Tracy in the original "Father of the Bride". Until the 1990 Gerard Depardieu Technicolor spectacular in French, Ferrer's version of "Cyrano" was considered the one to see. But now, Depardieu's film has unfairly thrown this 1950 version into neglect. Part of the reason, perhaps, is the budget involved in this film. Cowardly studio executives who were afraid that a film in blank verse would fail at the box office refused to give this film the kind of budget that Laurence Olivier had enjoyed in his 1940's Shakespeare films, or the kind of budget that was used in films like the 1936 M-G-M version of "Romeo and Juliet" and the 1935 "A Midsummer Night's Dream". And so, this "Cyrano" looks more like a cheap B-movie than a worthy film version of a classic play. There are no huge sets or spectacular camera shots--just the play, performed (with only a couple of added scenes in ordinary prose rather than the English translation's blank verse) on obvious Hollywood sound stages. But, this film boasts what is certainly one of the greatest performances in the history of film--and especially American film. José Ferrer, an often maligned actor accused of hamminess and overemphasis, gives the performance of his life as Cyrano. His portrayal is in every way the equal of Depardieu's, and as far as I am concerned, even better. Depardieu relies on sincerity and subtle facial expressions. Ferrer also has these, but he has in addition one of the most beautiful, rich voices ever to come out of the theatre,and magnificent enunciation as well. Unlike Depardieu, who speaks the beautiful French verse as rapidly as if he were firing a machine gun (as do the others in the French film), Ferrer allows us to appreciate the rich poetry in Brian Hooker's translation, long considered the greatest verse translation of a play into English. His portrayal is more flamboyant than Depardieu, and he shows a heartbreaking sense of tragedy as he realizes that the beautiful Roxane will probably never be his. The "big moment" in the final scene is shattering in Ferrer's hands. As for the rest of the cast, this is where the Depardieu and Ferrer versions differ. Depardieu's supporting cast was excellent, but here Mala Powers is disappointingly ordinary and one-note, though beautiful, as Roxane, and William Prince is quite good as Christian, but Ralph Clanton as De Guiche is rather cartoonish, an ordinary hissable villain until the last half-hour or so. The usually reliable Morris Carnovsky, though, is an excellent LeBret. The role of Ligniere, the drunk, has been eliminated,and his lines given to Rageauneau, the pastry cook (competently played by Lloyd Corrigan). There are a few cuts in this version, as compared to Depardieu's, but Brian Hooker's English translation is given its due prominence. Michael Gordon's direction is excellent, and the duel at the theatre, while not allowed to roam all over the location, as in Depardieu's version, is well done and more faithful in staging to author Edmond Rostand's intentions. This "Cyrano", however, definitely should not be allowed to fade away in obscurity, relegated to late-night TV, where it is now often mutilated for commercial breaks. It should be restored and brought back to cable to be fully appreciated.

Back years ago in high school studying Cyrano de Bergerac, with a textbook having pictures from this film, one of the other students asked simply why didn't he just get a nose job? It got a lot of amusement when the teacher told her that that procedure just wasn't available in Cardinal Richelieu's France. I'm afraid that that might be the feeling of a lot of readers of the play and viewers of the film. Rostand, who wrote the play in the 19th century about the 17th century might as well have been writing about people on Mars. If they take that tack then folks will be losing out on appreciating a great play and role essayed by a man who possessed one of the great speaking voices of the century. Jose Ferrer puts everyone else in the cast to shame with his performance of Cyrano. To be sure Cyrano de Bergerac is a one man play. All the other characters Rostand gave absolutely no depth to. Roxanne is a sweet young girl looking for romance, Christian is a handsome dunce, Comte de Guiche is a Snidely Whiplash villain. But Cyrano, you have to be a real actor to play that one. Cyrano is a soldier, writer, swordsman even a gourmet of sorts. But that proboscis fills him with doubt when the opposite sex is concerned. He's a tortured soul and Ferrer gives THE interpretation of Cyrano. It will be so a hundred years from now. He's a swashbuckler to be sure, but you certainly couldn't cast any of the normal movie swashbucklers in that part. I don't know if the MTV generation will feel like my classmate of years ago, but if they turn away from music videos and watch this, they will be treated to a once in a lifetime acting performance.

Jose Ferrar's performance lifts this above the Depardieu version, despite the fact that some of the supporting cast are a bit...plain. The english translation is great, sometimes word-for-word with the French but other times getting the spirit of it just right--as when Christian is making nose jokes at Cyrano. The new version may be more spectacular, but this has a great feel to it, and, as I said, Jose Ferrar is brilliant! His voice is so powerful, and his actions and flourishes just right. The theatre scene is just wonderful, as is the finale. Plus, Gerard Depardieu is too fat! Nobody will ever be a better Cyrano.

This film is simply my favorite above all others. And I grant that accolade entirely because of the splendid performance of Jose Ferrer. He outshines all other cast members in what would be a forgettable B movie, were it not for his brilliant portrayal of the long nosed poet and swordsman. I suppose the character of Cyrano appeals to me so because he is a man of substance, not image (unlike so many contemporary heroes). `True.I carry my adornments only on my soul, decked with deeds instead of ribbons, mantled in my good name and crowned with the white plume of freedom!' Wow, what a line! There will never again be another Cyrano, as there will never be another actor capable of playing him so well as Jose Ferrer.

Whew. What a classic film. American cinema at it's best. SEE THIS MOVIE! Jose Ferrer is simply brilliant! And though others have complained about it's production values, the new DVD version is a vast improvement from the older VHS copies. Also, I've noted that others have been less than kind to the supporting cast. I honestly don't know what they mean. I found them all, at the very least, good, if not great. Look, it doesn't matter. SEE THIS! For Ferrer alone, or for an all-time great love story.

This movie is worth seeing for Jose Ferrer's performance alone. The other actors are just okay. My primary language is French and I have also seen Depardieu's version, which is great. But *nothing* can approach Ferrer's. This film is a must-see for drama-students. Where, Oh where !, has American cinema gone ?