Cult Killer

The movie Cult killer is a kind of different film from the others to be honest . But this movie wasn't really as bad as people say , it had some good camera shots , great and awesome soundtrack and the best of the best actor which that is Antonio Banderas, Not only he saved the movie by his grade performance but he is also the best film actor and this character reminds me of the other characters that he played in his past movies but Antonio's performance really made this movie to be a 10/10. There are a lot of suspense in the movie which will keep you glued to your TV. So it is an okay for me and for Antonio Banderas carried it 10/10.

The movie just looks poorly made. Odd extras that perform below amateur level. Some simply look like they have never done any acting in their life. Character actions feel rushed and quite unnatural. Like picking the lock like no one ever would, or doing covert operation like a bunch of students who are lost in the mall. As mentioned beforehand, many things are done on amateur level. Movie also gave me a feeling that it tries to be Ozark, whether its a camera work, or a background theme. A tall tree to climb. To be fair, Eve and Banderas do their best, but it is a mystery to me who convinced them to participate in this endeavor. It's not horrible, but I wouldn't pay to see it.

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This movie throws you a left turn from the beginning and doesn't stop. It's definitely not the typical serial killer thriller it looks like on the surface. It explores some dark themes and I would advise anyone with sexual trauma to consider skipping it as that is a major plot point. But overall this is a movie that grabs you and has you pinned to your seat until the end. If you're bored and don't know what to watch at the movies and you like a suspenseful thriller, I highly recommend this movie. Overall, this film is very good. Not because of the story, but because of the actors. This film was acted very well by everyone in the cast.

Having seen the movie, these titles of "The Last Girl" or "Cult Killer" (having two is not a good sign) seem absurd and are no doubt part of the reason why some reviewers give such low ratings, as their expectations were not met by reading too much into them. Something like "Revenge of the Abused" or "The Playhouse" would have been far more suitable. Overall the movie held my attention as it had an unusual enough premise and I wanted to see how it concluded. It could have been more of a thriller, but lacked enough plot twists and reveals for that, which is not to say there were nonesuch. There wasn't much by way of suspense, either, as you find out too much for that too soon, and the story becomes much more of a procedural. Indeed, it struck me that this could have been a feature-length pilot for a TV series about a female (English?) private investigator and recovering alcoholic, in Ireland, who sometimes works alongside the police (Garda). However I think the marketing may have screwed it up too much for anything like that. You certainly wouldn't expect Banderas or Eve in something like that. So it seems to have come across that way perhaps more by accident than design. Alice Eve acquits herself fairly well, and you can certainly see how her character comes to identify with the killer she is pursuing (and vice-versa), but her 'badass' scenes and the character depth she provides are undone by the couple of scenes where she comes across as a genteel English Rose, especially at the end (Oh no!"), which stood out all the more in a movie with some brutal and bloody scenes, some of which her character was involved in. This left me wondering if she was not the first choice for the role, but they couldn't afford e.g. Kate Beckinsale. She just seems slightly miscast, or perhaps the best they could get for it and ultimately, despite some aspects of her performance, as not quite right for the role, at least in hindsight. Hennig is very good in her role opposite Eve; her character was completely on-point, but the acting honours in this one go to Banderas, who is excellent as the mentor to Eve's character. I was split between rating it 6/7 (13/20 perhaps?) and eventually decided to go down rather than up. Probably not a movie you would go out of your way for, but it's watchable if you do - so long as your expectations are not based on the appalingly given titles.

"Cult Killers" embarks on a gritty journey through the eyes of a seasoned detective, played with compelling gravitas by Antonio Banderas. The film opens in a dimly lit pub, setting the stage for a narrative rife with danger, deception, and personal demons. Banderas' character, a detective with a keen sense for justice, crosses paths with Alice Eve's character in a sequence that not only sets the tone for the movie but also lays the groundwork for a complex relationship driven by shared trauma and a quest for redemption. Alice Eve delivers a riveting performance as a woman who, behind her facade of scamming drinks, harbors a dark past and a formidable spirit honed through years of suffering and self-defense training. The film cleverly uses flashbacks to unravel her history of abuse and her transformation into a survivor capable of exacting her own justice. This narrative choice, while effective in building her character, also introduces one of the movie's notable flaws: its reliance on exposition over subtler character development. The plot thickens as we leap five years forward, finding Banderas' detective on a new, ominous case in Ireland, which ultimately leads to his untimely demise at the hands of Jamie, a character intricately linked to the cabal at the heart of the movie's conflict. Jamie's role as both an ally and an antagonist introduces a dynamic tension that propels the narrative forward, yet her character suffers from a lack of depth, her motivations spelled out rather than shown, especially when she says "I am a monster" The movie's handling of its central theme-the impact of a sinister cabal on its victims-touches on harrowing issues but stops short of delving into the systemic horrors that enable such crimes. Jamie's plea for death at Alice's hands, coupled with her backstory of exploitation, hints at a rich vein of narrative potential left unexplored. The film's conclusion, with Alice avenging Banderas' death and contemplating what could have been at Jamie's graveside, feels like a missed opportunity for a deeper examination of vengeance, healing, and the possibility of redemption. While "Cult Killers" excels in delivering gripping performances and a storyline that captivates with its twists and dark revelations, it falters in fully exploring the complexities of its characters and the world they inhabit. The relationship between Banderas and Eve's characters, punctuated by a legacy of detective work and a shared longing for justice, serves as the emotional core of the film, yet the narrative choices leave the viewer yearning for a resolution that offers more than simple retribution. In essence, "Cult Killers" is a film that intrigues and engages, offering moments of brilliance in its portrayal of resilience and the human capacity for both darkness and light. However, its narrative shortcuts and the finality of its conclusion undermine the potential for a richer, more nuanced exploration of its themes. The groundwork laid for a sequel that never materializes leaves us contemplating what might have been-a narrative path that could have ventured deeper into the shadows to expose the full extent of the cabal's reach and the redemptive power of confronting one's demons. In closing, "Cult Killers" is undoubtedly worth watching for its compelling performances and the haunting questions it raises about justice, survival, and the scars left by unseen battles. Yet, as the credits roll, we're left with a sense of unfinished business, a story that could have gone further in its pursuit of truth and transformation.

The title and the featuring of Antonio Banderas. They're only meant to scam you. If you want to watch women in some combat action, go find it elsewhere. If you want to watch investigative police work, you'd quickly find out you could've done better detective work than the protagonist. This movie is heavy on feminist narrative. It's about women with loose morals hunting down monsters but you won't find a Sigourney Weaver or The Silence of the Lambs in there. What you will find is the temptation to press the forward buttons many times. You will find reviews that praise this movie. But I've got to warn you they're not praising the movie, they're praising the narrative. They like the idea of some drunk woman and damaged goods kicking men's asses. Quite like some reviewers who'd thumbs up any movie about slavery no matter how poorly written the movie is. Do yourself a favour, save your time.

Mikeal Tallini (Antonio Banderas) is an unexciting private investigator in Dublin In the first scene he saves Cassie Eve (Alice Eve) from her alcoholism. The film leaps to five years later. Mikeal is investigating a cabal of some sorts and Cassie is his office investigator. He is stabbed to death by Jamie (Shelley Hennig) using a noisy spring loaded knife of which we haven't heard the last. She takes the victims phone and calls Cassie who is now investigating his murder. Jamie wants to help Cassie bring down the Cabal which appears to be some sort of sex trafficking but we never see anything close to that. The film was boring with a series of flashbacks showing how Cassie was mentored by our victim. Doesn't flow very well Guide: f-word. No sex or nudity.

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