Crossed Swords

source: Crossed Swords

Pah! Doesn't follow the book very closely (rhubarb, rhubarb!)... Frankly, who cares? The book was a work of fiction to start with, and this "version" of the story makes a classic '70's swashbuckler in the fashion of the Three Muskateers. It's got witty dialogue, colourful characters, an all-star cast, a good soundtrack and a happy ending. What more does anyone want? Okay, it was never going to be shortlisted for Oscars, but back then that was often a good sign (Kramer vs Kramer, anyone? Please, God, noooooo!!). If you like swash and buckle, and you've a few hours to kill, this will do the job, so don't dismiss it from your list of films to see. It's a little hard to find on DVD though.

Lets get the bad point out of the way quickly. Mark Lester. Wait, what am I saying? I'm not a sheep! Lester was excellent! If others do not think he cuts it is probably because he's acting against gods of Hollywood, HESTON, REED, G C SCOTT, REX HARRISON and EARNEST BORGININE. But I think he performed most admirably in dual roles which he played quite distinctly apart and with a modest amount of charisma. So thats the non existent bad point out of the way. Now let me throw in what really rocks the movie. Lets start with Charlton Heston as King Henry VIII. Majestic, funny, and brutal. He well and truly steals every second of screen time he's on. Oliver Reed, the outcast swashbuckling hero trounces around with his usual bullish but dynamic presence, and fights in his own unique Reed style. George C Scott turns in yet another memorably hilarious (if rather too short) comedic role as an ex monk turned king of thieves. Rex Harrison as a monk adviser to the king plays his part with ultra cool prose and wisdom. And no one plays a really bad man as good as the great Earnest Borgnine who plays the brutish evil father of the pauper. The movie is flooded with great character actors who are all clearly having fun entertaining us and boy do they entertain. The story zips along confidently. The period detail is exquisite and lavish. Raquel Welch adds to the beauty of the movie canvas. And to top it off, a wonderfully spirited soundtrack have me humming days after each time I watch this movie. Pure blissful swashbuckling entertainment.

Nice adaptation from Mark Twain's classic also titled ¨Crossed Swords¨ with a top-of-the range cast . It's a Richard Fleischer's gorgeous film plenty of action , costumed adventure , humor , swashbuckling and lots of entertainment . The movie is very amusing and funny , capturing the flavor of the old times . On the same day two boys cross their fates : the pauper Tom and prince Edward (Mark Lester in double tole) . As a street beggar, Tom flees from pursuers and sneaks into the palace garden and meets the King Henry VIII (Charlton Heston) . Later on , the pickpocket Tom meets prince Edward VI , they change clothes with each other but the guards discover them and throw out the prince, since they are almost identical. Nobody believe them when they try to tell the truth and the young prince has trouble reclaiming his crown. Soon after, the old king dies and the prince will inherit the throne. The young prince turned beggar is aided by a swashbuckling soldier-of-fortune ( Oliver Reed who steals the spectacle as intrepid adventurer ) . The flick deals about the Prince Edward VI ,son of Henry VIII of England, who's replaced by a beggar and vice versa . The film mingles comedy, adventures, humor, tongue-in-check and history. The starring boy is excellent and Oliver Reed as the preceptor is sublime. Also are splendidly, the supporting roles : Rex Harrison , Harry Andrews , Charlton Heston , Ernest Borgnine , David Hemmings , George C Scott , all are magnificent , including Raquel Welch. In the movie appears several historical characters, such as Henry VIII, Edward VI , Duke of Norfolk , and Lady Jane, princess Elizabeth , both of whom will be queens. Colorful and evocative cinematography by Jack Cardiff . Imaginative score by Maurice Jarre who includes sensible chores . Direction by Richard Fleischer is very good . This is still one of the best versions along with the starred by Errol Flynn. This entertaining movie should satisfy young and old . Other adaptations about this vintage story dealing with mistaken identity between a prince and a child from the London slums are the following : The classic rendition ( 1937) by William Keighley with Errol Flynn , Claude Rains ; Disney version by Don Chaffey with Guy Williams , TV take on ( 2000) by Gilles Foster with Aidan Quinn ; furthermore , several versions on cartoons .

Touted as the latest answer to the 1973 version of "The Three Musketeers", this film can't hold a candle to the light wit, sumptuous splendor and game cast of the first film. (The movie even cribs no less than 4 actors from the prior film.) Based on the story by Mark Twain, it concerns a pick-pocketing urchin (Lester) who finds himself in the room of King Henry VIII's son (also Lester) and discovers that the two are virtually identical. They swap places as a lark and soon find themselves up to their necks in the problems of each others' lives. Lester, so adorable in "Oliver" years before, is a lanky, fright-wigged, one-note presence. On the occasions when he stands up straight, he TOWERS above everyone including the extras, looking gangly and awkward. He has a pinched facial expression and fraught eyebrows through the entire film...as both characters! This gets very old, very quickly. Reed shows up as a game, but bulky swordsman who aids the one who's stuck as a pauper. Second-billed Welch barely appears in the film, turning up at the very end (and looking stunning.) Four (count 'em) Best Actor Oscar winners round out the cast to no great effect, done in by the laggy direction and the uncreative script. Heston (with no authentic accent) unconvincingly and hammily plays Henry VIII to the one filling in as a prince. Borgnine (in another distractingly non-British accent) plays the urchin's overbearing father. Harrison has little to do (he's offscreen for a significant portion of the film) as one of Heston's political rivals. Scott has a cameo as a grizzled leader of thieves. The good things about the film (the sets, costumes, star wattage) are done in by the bad things (mundane storytelling, lazy cinematography, a ghastly, anachronistic score by Jarre.) The biggest flaw is the casting of Lester. So much hinges on him and he is just wrong for the role by this time. Comparing this so-so piece of work to the majestic, classy and rich "The Three Musketeers" and "The Four Musketeers" is blasphemy.

Not very good. This take on the Prince and the Pauper clearly wants to capture the swashbuckling lunacy of Richard Lester's THREE MUSKETEERS/FOUR MUSKETEERS but falls flat. This is due in large part to the fact that the director, Richard Fleischer, is resolutely unimaginative. Instead of slapstick, he offers up blandness. It's something that has dogged his long career. The casting of OLIVER's Mark Lester in dual roles doesn't help either. He has no personality as either prince or pauper. Oliver Reed, Raquel Welch, Charlton Heston and Sybil Danning (all of whom appeared in the Lester films) head the large cast, but none manages to register as anything special. Nor does Ernest Borgnine...and any film that wastes Rex Harrison must be viewed as very dubious indeed (note: this film may be dull, but it's light years better than the previous Fleischer/Harrison train wreck: DOCTOR DOLITTLE).

Rather chintzy retelling of Mark Twain's "The Prince and the Pauper", though one with a good director (Richard Fleischer) and a fine cast behind it. Mark Lester has the dual roles of the Crown Prince of England and his lookalike pauper who exchange places, and he's a decent young actor if a bit colorless. Older children might enjoy the film, though a comic rendering of the material may have been more successful. Fleischer is too literal and reverent to the text, and his pacing is often stilted. Audiences at this point were eager for a little broad satire and, while Oliver Reed and Raquel Welch do grace us with their presence, one waits in vain for someone like Marty Feldman or the Monty Python troupe to invade the territory and give it some juice. *1/2 from ****

This is an oddly mangled version of the famous Mark Twain novel. Historically, Edward VI became king at age 10, and had been dead for three years when he would have been Mark Lester's age (18) at the making of this film. Why director Richard Fleischer chose to transmute the title characters from children to late adolescents is a mystery to me. It makes their bumbling in their respective reversed roles more pathetic than sympathetic. Mark Lester's performance, in both roles of prince and pauper, I thought was distinctly undistinguished in view of his earlier achievements. Perhaps he was already thinking of his medical career ahead. Now having said all that, the strength of this movie, such as it is, lies in its powerhouse supporting cast: Oliver Reed, Raquel Welch, Ernest Borgnine as the abusive father, George C. Scott as a brigand, Rex Harrison, David Hemmings, and even Charlton Heston as Henry VIII -- WOW! As I watched, I wished they had just left the protagonists out altogether and let these master actors tell the story of Sixteenth Century Tudor intrigues. To view or not to view? It's a toss-up: you decide.

"Crossed Swords" is a lavish and lively adaptation of the Mark Twain classic "The Prince and the Pauper". Producing the picture were the Salkinds, the father and son team responsible for "The Three Musketeers" films, as well as the "Superman" blockbusters. Released in England by Twentieth Century Fox as "The Prince and the Pauper" in 1977, it reached American shores (now distributed by Warner Brothers) in 1978 as "Crossed Swords" and with eight minutes of footage deleted. Veteran director Richard Fleischer moves the familiar story along quite briskly, while still giving audiences ample opportunities to appreciate the handsome sets and costumes. The all-star cast is mostly impressive. Mark "Oliver" Lester is too old and stiff to give a truly authentic performance in the dual role of Prince Edward and pauper Tom Canty, but he doesn't spoil the film. Oliver Reed is a hearty and touching Miles Hendon, and Ernest Borgnine, fake cockney accent or not, shines as the pauper's cruel father. Charlton Heston perhaps overdoes the part of old King Henry, but how else can you play a character like that? Rex Harrison is smooth as an ill-fated Duke, George C Scott impresses as a beggar king, Raquel Welch looks stunning in her too-few scenes as Edith, Hendon's true love, and she beautifully underplays her part (though her surprising adeptness at comedy is evident here as well). The same cannot be said for scenery chewing David Hemmings, cast as Hugh, Hendon's evil brother, who forced Edith into an unhappy marriage. Among the supporting cast are such familiar faces as Harry Andrews, as a duplicitous Court Minister, Julian Orchard as a court fop, and Sybil Danning as Tom's mother. Two young beauties (Lalla Ward and Felicity Dean) appear as, respectively, future Queen Elizabeth and Lady Jane. With a rousing music score by Maurice Jarre, perfect for a swashbuckler like this, and beautiful scenery photographed by the great Jack Cardiff, this is light-hearted, spirited adventure at its finest. Surprisingly, the film did not fare well on either side of the Atlantic but, like most period adventures, it has worn well. Incidentally, the DVD release restores the cut footage and includes a theatrical trailer and television spot (for the U.S. release) which compliment the flawless Anamorphic Widescreen transfer.

Don't get me wrong I loved this film as a kid, but after revisiting it after five or six years, it didn't quite gel for me. Of course the sets, costumes and cinematography are superb, and the score is rousing enough. And the story is delightful, despite the fact it has been done to death so many times, while there is some great acting from Oliver Reed, Rex Harrison, George C. Scott and especially Ernest Borgnine in very meaty roles. However, despite all the extravagance and the fine acting from the supporting cast, there are shortcomings. Mark Lester is very unconvincing in the lead double role, while Raquel Welch looks alluring but she is left with little to work with. The direction never feels solid enough, while the pacing is uneven and the action like the direction lacks solidity. Overall, disappointing but worthwhile film adaptation. 5/10 Bethany Cox