Confidential Agent

Moviecut—Confidential Agent

I didn't read the book but this must one of Graham Greene's weaker novels. Either that or the Director made a hash out of it, because there is simply too much plot here to make a coherent story. There are several subplots at work that detract from the main storyline - which, truth be told, doesn't seem that interesting or compelling to start with. Not much chemistry between the two principals, and Bacall's is the weakest performance in the picture. There are lots of notable character actors who try their best; Peter Lorre, Victor Francen and Katina Paxinou, to name a few. Ultimately, I felt the plot was obscured and Charles Boyer was not a strong presence. I rated it on potential and on the sterling cast.

Lauren Bacall and Charles Boyer do not provide the right chemistry here in this 1945 film. There is a good story here about the Axis trying to obtain coal to use for the upcoming war. Unfortunately, this part of the story is not emphasized. Instead, we deal with a supposedly bungling Boyer. By the way, Bacall is as British as Vladimir Putin. The real acting kudos goes to veteran Oscar winner Katina Paxinou. As was the case with her memorable Pilar in the 1943 Oscar winner, "For Whom the Bell Tolls," Paxinou again plays a Spanish revolutionary but this time she is a double-crossing counter-spy for the pro-Franco group. She is quite a vicious character here;especially, when she throws a 14 year old child out the window. She believed that Boyer had given the child important material to hide.

Not being a fan of Boyer,I was pleasantly surprised at his performance.Yes,he speaks with a French accent,maybe he could have been from the border with The Pyrenes.Bacall,while not attempting to use a British accent is quite good in my opinion,really liked her in the part,she worked well with Boyer.Don't think the chemistry as lovers was necessary,it was a spy film,no need to exploit the Bogart-Bacall angle.All the villains were top grade,mainly Lorre and the hotel owner.George Zucco good as cop,and my personal favorite,Ms Wanda Hendrix as Else-she made the film for me with her rapport with Boyer.Maybe,if only for her age,she would've been a good fit for Bacall's part,but this was a film that will get repeat viewings by the undersigned.And really have to recommend watching Dan Seymour in action-liked him as much as Wanda,Bacall,Boyer,Lorre.

This film has scenes that come back to me at the strangest times -- that intense scene with Mr. Muckerji telling Mrs Melandez that someone he spoke with witnesses the girl being pushed out the window by a woman who fits HER description ---is one that rolls around -- the way she keeps referring to him by name --- in a Greek accent "Mr Muckerji" -- and then when Boyer discovers her having just taken poison and gives her one last smack up the side of the head before she dies --- its a delight! "Fools -- Fools -- all my life"...etc etc -- you get the point..I have to buy this one. I love Dan Seymour's acting -- he usually plays some plump foreign sultan or police chief and appeared in Casablanca and many great pictures.

The novel is easily superior and the best parts of the film are direct translations from what Greene wrote; for instance the quiet but grim humour that breaks into the scenes with Boyer and Lorre, or the murdered-child obsession that takes over some of the plot. Where the film deviates from the novel, it tends to the ludicrous. However I don't want to suggest that the film is bad in any way. It always looks the part and the story stays in the mind like a good 'un. Some of the minor characters were stock actors who could turn their hand to anything. It's a dreadful shame that the film's not available on DVD.

Good old black and white Graham Greene based people in dangerous times doing heroic and mysterious things. Hardly a shot fired or a punch thrown and a hundred time more interesting than the glop that's being minted by Hollywood today. Bacall lights up the screen of course and Boyer is entirely engaging. They don't make movies like this any more.

A film that dramatized an understandable reluctance to face the inevitable coming of the the second world war, when a Spanish Republican, sent by his soon to be overthrown government, (Charles Boyer) infiltrates himself into England looking for support for his cause by trying to influence wealthy mine owners not to sell coal to the fascists back in Spain. He upsets the locals, getting convincingly beaten in one scene, and later in the film facing an angry crowd of miners who see him as yet another threat to their shaky livelihood. Notwithstanding socio-economic hierarchy, xenophobia, and world politics, this film expertly delves into a dark and suspenseful intrigue involving unfaithful compatriots played by Katina Paxinou and Peter Lorre, and is expertly filmed in numerous darkly lit scenes set in a dreary hotel by James Wong Howe.

An underrated addition to the Graham Greene cinematic canon - its perceived faults can now be seen as virtues. Director Shumlin, theatrical director, frames his action with an oppressive rigidity appropriate to the material, and the seemingly inept compositions compellingly suggest unease. Both a dark thriller and a story of moral regeneration (for the female character! In a 40s thriller!), the film has an upright hero who turns mad and murderous (and possibly paedophiliac), brilliantly brings the faraway ideologies of the Spanish Civil War into jolting dangerous reality, has one horrific murder, an astonishing insights into class and capitalism, clever theatrical metaphors, a rare approximation of Greene's God, and an ending that is only happy if you know nothing about history.