China Strike Force

source: China Strike Force

There was some outstanding stunt work at the end, and some really good fight scenes, but that was all there is. The irritating Coolio completely played over Mark Dacascos (Cradle to the Grave). The constant jive just wore thin after five minutes. Aaron Kwok was good, and Japanese model Norika Fujiwara really kept things interesting, but not enough to recommend the time spent. Lee-Hom Wang is proving to be really good, and in recognition was in Lust, Caution. If you want to see real action, there are many better films to check out.

This was the best movie I've seen starring Aaron Kwok. He shows more involvement with his part, and this is the first time I've seen him look genuinely interested in the female lead (Norika Fujiwara). Norika Fujiwara might have been big in Japan, but with so many gorgeous Hong Kong actresses, she's with tough competition. What was surprising was how good Aaron Kwok looked in this movie. He might have found a niche that he excels in, but there aren't enough movie of this type made in Hong Kong. The action in this movie stretches believability a bit. Like in the motor cycle chase scene, the bike literally climbs up vertically on the back of the van, then launches off its roof on an angle to land on top of a double decker bus. Not likely to happen ! The rap music used in this movie sounds very dated, and using them were a fad the year this movie was made. I liked the cinematography, and the way they selected the background for each of the scenes. Pretty experimental movie for HK, and not bad for a first try.

*warning- spoilers* The film is reasonably acted as far as Hong kong actioners go and this is the best non-chan, non- woo HK film I have seen. The actors are all okay ranging from adeqaute to moments of cheesyness or woodenness. Mark Dacascos is very good in this as the bad guy and he makes an excellent baddie in a limited part. His demise was also a let down, I felt there wasn't a big enough showdown between him and Aron Kwok. Mark was excellent in this as usual with his fighting, he did not look out of place infact his form and acrobats beat the others hands down and he did some impressive stunt work whereas say Van Damme would have been consistently doubled. The film has a good pace, Coolio is funny in an over the top way and there are some exceptional stunts. The fight scenes are first class although as far as Hong Kong goes I have seen better and some unrealistic stunts and wire work also look dodgy but overall I was entertained. Dacascos stole the show for me and his only weak moment was where he was smoking a cigar, it is obvious he's not really a smoker with his strict training he undertakes and the fact he looked like he was going to throw up, aswell as a sore sounding throat. Overall this is a good way to pass 90 or so minutes although the DVD I own has a bad picture and mediocre sound. 7/10

When Stanley Tong shot Rumble in the Bronx, I suppose the North American setting and actors made it a lot easier to secure a North American release (and presumably a bigger overall box office total) for the movie; it doesn't take much of a cynic to suggest that Japanese TV star Norika Fujiwara's presence in the cast was meant to give this one a shot at a third market. The Japanese release of the movie makes a big deal of Fujiwara's presence as a second- string character and underwear model, perhaps deservedly so. With the camera's help, she fights better than Jade Leung did in the first Black Cat movie, and she's certainly got the goods as far as the stripping and stretching scenes go. Still, you sort of have to wonder if some distributor wasn't going a bit far in releasing it here under the name "SPY_N"... it is, after all, primarily a movie about other characters. When it isn't making you wince over the English pronunciation or chuckle at the really obvious subbing of stunt doubles, though, this is a halfway decent attempt at creating a B-grade action flick with international appeal. The plot is disjointed, but piles on enough stunt pieces that you aren't endlessly looking at your watch during the eventual plot exposition scenes, and the rest of the movie is silly enough (see the motorcycle that rides up the back of a bus, or the hopefully intentional comedy resulting from Coolio's character being named "Coolio"... "Coolio killed my partner!", etc.) that you don't feel completely bad for renting it and turning your brain off for an hour and a half. Besides, just like in the commercials, Norika Fujiwara is always nice to look at, so there are definitely worse things to spend your rental dollars on.

This movie was reportedly the top grossing local film in HK movie theatres over the Xmas 2000 season. Tired plot, stupid dialogue (and Aaron Kwok's Mandarin is awful, even worse than his English), "entertainment" (if one can even use the word to describe this waste of celluloid) for the easily amused. Rated it a "2" because some of the action sequences are at least halfway decent and because Fujiwara does appear in a very tiny bikini. Hard to believe that Stanley Tong could have gone downhill from Mr. Magoo, but he has done it!

I sought the movie for my Mark Dacascos collection, and because of him I watched it all the way through. The scenes he's in are solid, and (of course) his fists and footwork are the icing on this otherwise dry cake. The movie begins very slowly and seems disjointed. You have to piece together plot elements which is unfortunate because a little bit more effort to include the viewer would have improved the flow. The places where you get a break from that feel opportunistic and thin. There is a feeling that the characters are just trying to get to the next action sequence, and those aren't well-timed or particularly powerful. Everyone in the film is visually interesting, but the backdrops seem opportunistic and static, and the stunts often look like the evening news, shot too wide and far away, never sharp or startling enough to rouse. Kwok looks like he's really trying to find a character in there somewhere; he's likable and the bits of banter that occur between Darren (Kwok) and his partner Alex make you want to see their efforts succeed, but it's just too little spread too thin and nobody else is acting like there's room for humor in the scene. Mark Dacascos is top-notch with what he's given. If you like how he moves his presence through a scene, using his skin, eyes, those long elegant hands, you'll appreciate his sense of proportion here. He brings the film a sense of solidity when he's in the frame and offers the only intimacy in the venture, using his eyes to evoke it even though his character is aloof. Coolio wields a brutally candid hood mentality charm, pulling no punches with his brazenly observant racism. I found it refreshing and palatable - it's aimed at everybody, even his old friend Tony Lau (Dacascos). His abrasive drama plays well off Dacascos' polished and saturnine hauteur, but the two of them aren't enough to carry a film about "two other guys and some other stuff"... and that's exactly what this feels like. The action scenes are slow, and shot from less than optimal angles. There are ways to shoot people who look this interesting ( Andrezej Bartkowiak and Christophe Gans both know how to put a camera on Mark Dacascos), and with the abundance of attractive personages it's too bad that didn't happen here. I was hoping for another Cradle 2 The Grave, something that surprised my mode of thought and shook up the mix, that had punch, pride, and balance. I was sorely let down. Even so, I give it four stars out of ten, all of it due to Mark and Coolio. If you want to watch a movie that goes where this one doesn't - see Cradle 2 the Grave for some good-looking people, broken stereotypes, nice dialogue, fine music, and superb acting by DMX. If you want mystery, lyrical execution, passion, and art with your kung fu - see Crying Freeman for its beautiful dialogue and provocative tone set by Gans' shooting and Julie Condra's amazing voice flowing throughout. Mark Dacascos is in them both, for all the right reasons.

This movie ranks as one of the worst 3 movies I have ever seen! The action is ok, but the never-ending scenes of poorly dubbed dialogoue and semi-erotic "acting" made me turn off before the end. Coolio makes it even worse, if possible.

This movie has some great fight scenes and incredible stunts but the plot is only average and the casting director should never have been hired. most of the acting is so awful it will have you cringing, especially the performances of Coolio and Norika. And while Aaron Kwok and Lee Hom give reasonably good performances, they've given the actor who can barely speak english (Kwok) the english lines and the American born actor (Lee Hom) with a rather bad mandarin accent got most of the mandarin lines

First of all, this H.K. movie is clearly aimed at a more international market. Nothing immediately wrong with that - in fact, I was excited when I saw Mark Dacascos in the cast. I've enjoyed his work in other movies in the past, since not only does he know his craft well, he has screen presence and even has some acting ability. But perhaps because Dacascos is unfortunately still not that well known in North America, the producers also picked someone with more "name" value to pair up with him. While I can sort of understand this, they really made a bad choice with choosing Coolio(!) I guess I can't really blame Coolio, because in the past he has shown some screen ability. However, the screenplay and the direction make him EXTREMELY annoying, with his non-stop slang talking and insulting. What's even worse is that Coolio's character is given much more focus than Dacascos' character, right down to the climatic action sequence. To say that Dacascos is greatly wasted is putting it mildly. The climatic action sequence IS entertaining, and so are the previous ones in the movie... what little there are. The remaining running time is talk, talk, talk, blah, blah, etc. Most of the focus is in fact on a plot so weak and so cliched that it gives dumb action movies a bad name. (I suspect this is the main reason why the movie has yet to receive an official release in North America, 3 years after it was made!) Stanley Tong really needs to return to his roots, to realize what made his past movies work.