Brute Force

source: Brute Force

Trailer—Brute Force

Brute Force

Ok, ok, I will give away a tad bit of the ending here, but not much. This movie builds decently towards the eventual climactic ending. But wow, what an ending! Rewind and check the camera shot of Burt giving the go-ahead to begin the escape, and see Jeff Corey (the fink) tied to the front of the tram (and thus first to take the machine gun bullets). Also don't miss the smoke that comes out the back of Jeff Corey's shirt as he is riddled with those bullets. And it takes a quick eye to catch the guard's shotgun blast actually pierce part of the iron cell bar as he kills Duff from above. How about the bleeding bullet hole in Burt's back as he fights with his new warden? And the strength he shows when tossing him off the tower. The small stuff helps the realism of this oldie! Burt, you were so cool! I wish you had accepted the Ben Hur and Patton role you were offered!

Without a shadow of a doubt, Brute Force is a classic movie that still stands today, as a powerful piece of film-making. Everything about this movie is top notch - the acting, the direction, the cinematography, the pacing are all essential ingredients in this superb film. Although there's not a weak link in the entire film, special mention must go to Burt Lancaster, Art Smith, John Hoyt, Charles Bickford, Sam Levene, and Hume Cronyn as the evil & sadistic Munsey. The deft touch of Jules Dassin is there for all to see, and the film builds to a tremendous climax. In 1947 this must have been an extremely powerful and hard-hitting film, and it remains so to this day. For anyone who appreciates movie-making at its best, this is hard to beat.

An early prison break genre, setting up many of the plot ingredients and cliches that would become familiar decades later. It's a well-cast little production, with a youthful Burt Lancaster on top form as the simmering con engaging in a battle of wills with sadistic guard Hume Cronyn, also excellent in an against-type role. It's a slow burner for sure, gradually building character before letting rip with one of the most dramatic climaxes of the decade; an excellent way to end the thing.