Bowery at Midnight

Moviecut—Bowery at Midnight

source: Bowery at Midnight

This horror film from Monogram has Bela Lugosi turning double duty. Well respected Prof. Frederick Brenner of psychology by day and by night Lugosi operates a soup kitchen on the Bowery using the alias Karl Wagner. He uses his charitable work on the Bowery as a cover for recruiting a criminal gang made up of ex-cons, addicts and other malcontents. His wife(Anna Hope)has no idea of how he can afford the expensive gifts he brings home. Karl is totally in control as a wholesaler of robbery and murder and is not afraid to eliminate his minions for by movies end they are reanimated as zombies. Others in the cast: John Archer, J. Farrell MacDonald, Wheeler Oakman and John Berkes.

Known as a Monogram quickie, the 'Jeckyll and Hyde' type premise, the story and cast had the potential for a very rich and interesting film-- if it had been given a bigger budget and a more deeply elaborated script. At barely more than 60 minutes we have an extremely fast paced movie with many of our favorite "B" movie icons -- Bela Lugosi, Tom Neal, Dave O'Brien, Wanda McKay, John Archer and Wheeler Oakman. Bela, whose English delivery is now excellent and natural, with that great hint of a Hungarian accent, plays Frederick Brenner, a professor of criminology by day and Karl Wagner, the philanthropic director of "The Friendly Mission," a soup kitchen and dormitory in New York's Bowery by night. He has a third identity as the head of a criminal ring of thieves and bank robbers. His modus operandi is to double cross and kill his henchmen (who frequently include Mission transients) after they have served his villainous purposes, and then to have a 'rum dumb' caretaker doctor bury them in the Mission's basement. Unbeknownst to him, the doctor has devised a way to revive the dead and keep them 'alive' as zombies, hidden below the basement in a cellar. The movie shows us scenes of his triple life including blissful tender moments at home with his wife; teaching about paranoid schizophrenics in his college class; doling out soup to Bowery bum denizens; and coldly throwing one of his henchmen off a roof as he stages a jewelry store robbery. In such a rapidly paced film, the inner tensions of his schizophrenic nature are barely touched on, except in a brief moment where he moans in his sleep experiencing nightmares. Oh what this film could have been if given the full "A" treatment! Here we're not going to get anything like Peter Lorre's anguished plea for tolerance and understanding regarding his own compulsive nature that he cannot control as in the great German film 'M' (1931). Wanda McKay, who plays Wagner's perky nurse assistant Judy Malvern, is betrothed to the rich playboy John Archer, who is, coincidentally, one of Professor Brenner's students, Richard Dennison. You can guess that Brenner/Wagner's double life is going to start to unravel. In this case, Dennison wanders into the Mission while doing research on how the indigent live, and meets Brenner as 'Wagner.' Tom Neal, meanwhile, puts in another cynical, tortured (and vicious) performance as a hired killer, used by Brenner / Wagner to rub out his henchmen, and Dennison as well. As a result of Dennsion's disappearance, the police finally discover Brenner's dual nature and raid the Mission. Seeking his own revenge, the caretaker doctor leads Brenner down to the cellar to the awaiting zombies ("You can escape this way...") In the final scene, Dennison is magically returned to normalcy where he joins Judy in his bedroom to live happily ever after. Wanda McKay is also in 'Voodoo Man' (1944) with Bela, and many other Poverty Row 'features' as well as the odd Universal serial 'Raiders of Ghost City' (1944). John Archer, besides starring in the great 'King of the Zombies' (1941) with Mantan Moreland, is in 'Destination Moon' (1950) and many 50s-60s TV shows including 'Perry Mason' and 'Bonanza'. Tom Neal plays the hero in the serial 'Jungle Girl' (1941), as well as in his classic noir film, 'Detour' (1945). Dave O'Brien, who had the most successful career, mostly as a cowboy star, plays the cop who tracks down Brenner. He's most famous as the 'hop-head' in 'Tell Your Children' (1936) which we all know and love as "Reefer Madness'. Wheeler Oakman, with over 280 film and TV credits as a villain, plays one of Brenner's henchmen. He was in countless serials and westerns, and played Tarnak in 'Flash Gordon's Trip to Mars' (1938). Wow! All these great familiar faces in one fast paced, weird little movie that sadly, was too cheaply made. Oh, what it could have been! Therefore, sadly, I can only give it a four and half.

A soup Kitchen serves as a front for various criminal activities run by Bela Lugosi. As Bela's grade Z movies go this one is pretty good. The plot is complicated enough to keep you wondering what is going on. Of course things get a bit wonky towards the end as all of the people and plot points come crashing together. Certainly not the worst that Bela turned out in his very up and down career. I don't know if I'd search this out, but late at night if it was on I certainly wouldn't turn it off, unless I needed sleep since it won't put you out. 6 out of 10

A rather busy plot (for a 60-minute programmer, anyway) ensures that there's little padding other than the obligatory romantic interest between the highlights (my favorite being Lugosi's cold-blooded rooftop disposal) - not that the film reaches any particular heights, but it's certainly enjoyable and engaging while it's on. The dual nature of Lugosi's character and the 'mission' setting hark back to DARK EYES OF London (1939), and this one too can be chalked up among the star's better 40s efforts. There's even some smart dialogue to boot ("I wouldn't trust you with a bad case of dandruff" and Lugosi describing Fingers Dolan's use of criminal slang as "picturesque", etc) and the poster for THE CORPSE VANISHES (1942) on a theater marquee was a cool 'in-joke'.

Bela Lugosi, both a wonderful actor and very fine gentleman, comes across perfectly in this role. Things like body language, eye contact, voice inflection, all of it done beautifully. The plot, containing as many little surprising twists and turns as the Bowery mission contains secret panels and hidden doors, is a neat story and it flows well. The other players fit their roles very well. The continuity is good. And then there are those other added attractions, like thinking you just saw Lou Costello playing a Bowery bum. Nope, you didn't, but you're close. Its his older brother, and almost twin, Pat Costello. Things like that make this movie great fun. Add a pretty nurse, a crazy doctor, and what do you have? A "B" movie that deserves at least a B+.

Bowery at Midnight is a must see for fans of Bela Lugosi. His "lesser" films are is some ways more interesting than the ones he is best known for, since expectations are low and the Lugosi persona shines through inadequacies in the script etc. His acting is really put to the test here where he essentially has three roles: a kind soup kitchen manager, a professor of psychology and a sinister mass killer who can double cross anyone. All three roles are wonderfully done- a masterful job!!

Respectable psychology professor Bella Lugosi (as Frederick Brenner) moonlights by operating a soup kitchen for New York's Bowery denizens. At "the mission", Mr. Lugosi (as Karl Wagner) fronts a secret underground criminal organization. There, Lugosi's entourage includes baby-faced recruit Tom Neal (as Frankie Mills), mad zombie-maker Lew Kelly (as Doc Brooks), and pretty assistant Wanda McKay (as Judy Malvern). While working on a term paper he calls "The Psychology of the Underprivileged," student John Archer (as Richard Dennison) discovers professor Lugosi's daring double life, which places Mr. Archer's life in grave danger. Innocent Ms. McKay is also put in peril. The plot is all over the map in "Bowery at Midnight". Don't stop watching to think about what is going on with the interesting set of characters - or, the film may make less sense. *** Bowery at Midnight (10/30/42) Wallace Fox ~ Bella Lugosi, Tom Neal, John Archer

Pleasant surprises can come in the most unusual of packages. Such is the case with this 1942 Monogram quickie starring the legendary Bela Lugosi, not as a vampire or a mad doctor, but a jewel thief kingpin hiding under two (count 'em, two) secret identities. With a setup like that, you can't very well lose. Lugosi, as usual, pulls out an engaging performance; this guy is just plain fun to watch in any role. He doesn't get much help from his co-stars (with the possible exception of Lew Kelly, who steals a few scenes as a schizophrenic doctor), but nobody is exceptionally irritating at least. Plot holes abound and at times things get pretty confusing, but if you can overlook the blemishes and try not to take the production values too seriously, it's a nice little picture overall. And at just over an hour long, it won't bog you down. Watch it for Lugosi's performance if nothing else. Also, keep an eye out for a poster of another of Lugosi's Monogram films, "The Corpse Vanishes," which appears in the background of one of the scenes.