Anne of the Thousand Days

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It's not a bad movie, but director Charles Jarrott shows little style putting together what is essentially a filmed play. Richard Burton blusters appropriately as Henry VIII and Geneviève Bujold is the strong willed Anne Boleyn. They have some great chemistry, but after the fifth or sixth confrontation, it all becomes a bit too exhausting to care what is going to happen (and it's very well known what DOES happen). The leads are fine and there's a good supporting cast. Irene Papas is Katherine, Henry's current wife. There's plenty of palace intrigue involving Anthony Quayle (very good as Cardinal Wolsey) and John Colicos (as Cromwell). There's even a Cliff's Notes version of the plight of Thomas More.

This magnificent and well-crafted historical costumer is set in Henry VIII (Richard Burton who garnered an Academy nomination and Golden Globe) age , concerning his life and lovers , and especially his relationship to Anne Boleyn . Based of the playwright by Maxwell Anderson which is particularly accurate as a history lesson . The origin conflict takes place when Catherine of Aragon (Irene Papas ) was previously married to Arthur , Henry VIII's older brother . Cardinal Thomas Wolsey (Anthony Quayle) was the most influential member of Henry's council , but Wolsey failed to obtain the Pope's permission for Henry 's new marriage to Anne Boleyn (Genevieve Bujold , in her breakthrough international film role) . Wolsey came swiftly in distress and his possessions including the Palace of Hampton Court passed to King . Then Henry breaks with Catholic Church and secretly married Anne , creating the Anglican religion . When the King proclaimed himself as Head of the England Church was inevitable that Henry and Thomas Moro would clash . Those who stood in Henry's way , even those he claimed to love, invariably ended up on the scaffold and many catholic priests were led from their cells in the Tower of London and beheaded . Later on , Henry falls in love with a young favourite named Jane Seymour and he wishes to marry her . But the marriage to Anna did not last long and she was accused of adultery with his brother and four Communers . Interesting screenplay based on the source stage play "Anne of the Thousand Days" by Maxwell Anderson that was originally produced on Broadway in New York at the Shubert Theatre, it describes "England between the years 1526 and 1536" . Dynamic performance by Richard Burton , though he hated both the film and his interpretation and was amazed when he received an Academy Award nomination for Best Actor . Burton had been the second actor to do so for playing Henry VIII, and the first to win for playing a role that someone else had already nominated an Oscar for playing the same character was actor Charles Laughton , he first played the monarch in 1933 for The private life of Henry VIII (1933) and won the Best Actor Academy Award for his performance . Burton and Genevieve Bujold make an extraordinary battle of wits , they were two of the foremost talents of the time . Actresses Olivia Hussey, Julie Christie , and Faye Dunaway all turned down the role of Anne Boleyn , Hussey was the first choice for the part but she declined due to personal problems she was dealing with at the time , as the leading female part in the end was cast with French actress Geneviève Bujold who gives a marvelous acting . Understanding and charismatic acting by large secondary cast as John Colicos as the ambitious Thomas Cromwell , Irene Papas as suffering Catherine of Spain , Michael Hordern as Thomas Boleyn , Peter Jeffreys as Duke of Norfork , among others . It appears uncredited Elizabeth Taylor as masked courtesan in a lush ball , in fact she wanted to play Anne Boleyn, but was rejected as too old at age 37 . Sumptuous cinematography by Arthur Ibbetson , reflecting glamorously the spectacular sets and luxurious gowns which won an Academy Award . Evocative and emotive musical score by Georges Delerue . Lavishly produced by Hal B Wallis, fitting accurately to Renaissance time , though the film received mixed reviews, it was a financial flop on release . This engrossing motion picture was brilliantly directed by Charles Jarrot who continued in similar style with ¨Mary queen of Scots¨, about Henry's great-niece, he directed two years later and again a wills duel , this time starred by Glenda Jackson as Queen Elizabeth and Vanessa Redgrave as Mary Stuart .

15 minutes into the movie, you forget that you are not seeing Henry VIII and his soon to be beheaded Queen Anne. The costumes and sets are breathtaking and the end, even tho you know what will happen, still illicits an audible gasp from everyone who sees it for the first time. Along with Lion in Winter and a handful of others, this should be required viewing for every student of history, film and drama.

With a surprisingly strong script and good performances, the film delivers as a late 1960s production that reveals a cinema that was in transition into the modern era. As a historical drama it deserved its one Oscar win and 9 other nominations. It avoids the plodding performances of most costume dramas of the time, while not quite delivering the stunning intimacy that was achieved by the BBC two years later in its landmark "Elizabeth R" mini-series 1971 - (achieved through micro-direction, dedication to detail and precision use of the small screen close-up - who ever said film is the same medium as broadcast television?) Richard Burton turns in arguably the best performance of his career as Henry VIII. Had his performance revealed just a shade more gravitas and reflection, he surely would have picked up an Oscar. I'm glad to say that British commercial TV managed to air a decent print of this picture over the Christmas season 2006, even though the cinema-scope frame edges were cut off. Well worth watching, but if you shop for a DVD, do make sure it is in the correct format so the full 35mm squeeze / 70mm letterbox frame is visible. A classic from the '60s and a rare achievement.

Costume melodrama concerning stormy relationship between King Henry VIII of England and Anne Boleyn is less a historical account of their tempestuous marriage than it is a florid rewriting of history. Adapted from Maxwell Anderson's popular play, the material offers feisty Geneviève Bujold one of the juiciest roles of her career. Bujold, who looks gorgeous in period dress, doesn't seem to be a Method player and never approaches the part of Boleyn with overdrawn pomp; instead, she gives over the inner-workings of her character, and lets Anne be human, womanly, facetious and smart. Unfortunately, she's paired with hammy Richard Burton as King Henry, and he stomps about with a snarl, spitting out his lengthy speeches like a rabid dog. Charles Jarrott (never a reliable filmmaker, but usually an old-fashioned one) was probably a good pick for director, though his lack of spirit or vitality makes itself apparent early on, and his handling overall seems a bit indifferent and callow. Nominated for a slew of Oscars, the film picked up just one trophy for Margaret Furse's medieval attire, which is entirely appropriate. ** from ****

ANNE OF THE THOUSAND DAYS tells the story of the ill-fated Anne Boleyn, Henry VIII's second wife. I've seen this story so many times now, in everything from THE TUDORS to HENRY VII AND HIS SIX WIVES, that it would take a special kind of film to really get me interested in the story again. Sadly, ANNE OF THE THOUSAND DAYS isn't that film. Oh, it's a perfectly adequate costume drama to be sure, but it never feels like anything more than that. The film looks good but the script just lacks the kind of intrigue, excitement and drama that the material demands. It's also at least an hour too long, dragging the early stages of the marriage out far too long and to little reason. The relationship between Anne and Henry is depicted in soap opera-ish ways and occasionally feels trite, despite the best efforts of both actors. It's always apparent that these two are acting the parts, rather than inhabiting the roles; there's something very mannered about both Burton and Bujold. A lack of really interesting supporting performers hurts it too. Not a bomb, then, just a passable movie that I have no great desire to rewatch. Certainly no classic. Natalie Dormer's vixen-like turn as the scheming Anne in THE TUDORS is still my favourite portrayal of the doomed queen.