American Psycho 2

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I'm a sucker for sequels to films that should never have had sequels in the first place: I'm well aware that they rarely live up to the original, but I like to check them out anyway just to see quite how bad they can get. Still, I wasn't adequately prepared for the complete travesty that is American Psycho: All American Girl. With only the most tenuous of links to the Christian Bale movie (adapted from Bret Easton Ellis's controversial novel), American Psycho 2, from Morgan Freeman (NOT the actor), is a laugh-free, gore-free, and nudity-free piece of crap aimed at a teen audience, that never once attempts to push the boundaries, totally eschews the original's biting satire in favour of lame parody, has a dreadful soundtrack (consisting of a throughly annoying comedic score and a selection of crap pop/rock songs—as opposed to the retro-cool 80s hits of the original), and even features an ageing William Shatner (sans girdle) as the object of affection for two very hot teenage girls. Now that's pushing it! Gorgeous star Mila Kunis is admittedly very easy on the eye, bringing to mind a genetic splice of Katie Holmes and Angelina Jolie, but she's dreadfully miscast as the psycho (for starters, she's way too tiny) and her oh-so-devious character is thoroughly irritating, providing a continuously grating voice-over as she goes about killing the people who might prevent her from achieving her ultimate goal: to become an FBI agent so that she can catch serial killers (oh, how ironic). If you're a fan of the original film, either avoid this embarrassing follow-up like the plague, or be prepared for a massive disappointment.

This movie is a teen slasher flick along the lines of "Scream" and "I Know What You Did Last Summer". It bears no resemblance to Mary Harron's dramatic 2000 film. Having (through some strange, unexplained sequence of events) killed Patrick Bateman from the original film, a teenage girl (Mila Kunis) makes it her life's ambition to track serial killers and bring them to justice. Then she arrives at college and starts to kill fellow students in an attempt to eliminate her competition and land a top job with the FBI. The killing becomes increasingly frantic and comic as the film progresses. Although the plot is shallow and ridiculous, the film is amusing in parts with some witty one-liners and a fair performance from Geraint Wyn Davies as the killer's psychiatrist. One to watch on TV to pass the time, but not worth paying to see.

"American Psycho 2" is one of those sequels that people either love or hate, and only rarely based upon the quality of the actual film. A much-repeated phrase is "this would be a good movie with a different title". Huh? I never quite understood that way of thinking. It reminds me of the opinions I got from people who were fans of the rock band the Doors. After the singer Jim Morrison died the Doors continued for two more albums that hardly anyone wants to listen to. Why? "the Doors without Morrison? forget it". As if the only records in the universe worth listening to are ones with that particular singer. Once I made that point the illogic of their argument was revealed and they listened to the two albums and really liked them. Good music is good music. Same here. This movie wouldn't be any better or worse with a different title. I feel "American Psycho 2" (not all prints carry the subtitle "All American Girl") is almost the equal of it's predecessor. And not only for actually confirming that Bateman did indeed kill at least *some* people, but for the film's point of view. While the first movie was a stunning and biting satire of self-obsessed yuppies, "2" is aiming at the college crowd, the vapid kids with a frightening sense of entitlement and sum-zero convictions. The psycho Rachel here is somehow even more bizarrely sympathetic than Patrick, to a point, even with there being no true ambiguity as to the sequence of events. After the murder of a billionaire's son we know it's Rachel behind the killing, yet it doesn't take away from the narrative. Two unexpected and satisfying twists aside, there's no mystery here; the brilliance is entirely in it's own universe and following it's own catharsis. To condemn "American Psycho 2" for it's somewhat stilted commercial construction and gaps in logic is missing the point entirely. This is a great film. It's not pretentious in presenting itself as a sequel because it really does fit- Bateman would be proud. Or not. If the idea of a sequel nags at you, call it something else. If the revelation that Bateman was a serial killer is worrisome, then I guess the premise of "American Psycho 2" is just insurmountable. Skip it. But you're missing out on a terrific film.

I confess I have not seen (yet) the first AMERICAN PSYCHO. But it *must* be better than this piece of garbage! As the title girl, Mila Kunis was unbelievably annoying, having a grating tone in her voice. Her bad dialogue, which included a lot of awful Freddy Krueger-like wisecracks and remarks, was equally annoying. The rest of the screenplay is ridiculous - though there are one or two twists, it is incredible that Kunis' character could get away with what she was doing for so long. The psychiatrist character in the end barely has any use at all. As well, it's easy to predict the ending. Anything positive to say? Well, Shatner is bad, as expected, but at least his hammy performance delivers some welcome unintended laughs. And for what was a low budget, the movie does look fairly slick. And... uh... that's all I can think of. Speaking of "uh", those who watch the DVD edition of this movie will be infuriated by director Freeman's commentary, filled with too many utterances of "uhhhh....." (which make him sound like a complete idiot), as well as the fact that he can't seem to say ANYTHING of interest about the making of the movie, preferring instead to describe what's happening onscreen at the time!

Not being a great fan of the first film, I watched this one with no expectation, and to my surprise found it wickedly good fun. Unlike the first film, this one goes for black humour all the way though, although it does have some quite gruesome moments. The very sexy Mila Kunis gives a brilliant performance as the very unbalanced Rachel Newman – the girl who will do anything to get to the top and lets nobody stand in her way! One black mark though, I couldn't help but feel that this film was somewhat tacked onto the original when it really didn't need to be, it could have – and maybe should have- stood on its own two feet without the `American psycho' label.