Alice's Restaurant

source: Alice's Restaurant

I remember back in the 80s my Mom rented this movie and from the cover and title I didn't think I'd like it. Not only did I like it, but I now watch it every Thanksgiving season. I've always liked Arlo Guthrie's music and the soundtrack is excellent, featuring the title track which tells this true story. It's quite a fun movie, laced with moments of very serious elements like Woody, Arlo's dad, in the hospital. The scene in the hospital with Arlo and Pete Seeger singing the Car Car song to Woody in the hospital was very heartwarming. The characters are all colorful and enjoyable to watch and very typical of the folk scene in the late 60s, just before I was born. ***1/2 (Out of 4)

I made the mistake of buying the recently released DVD of this film and will probably give it away at the next opportunity. As a child of the 60s, I was hoping that it would evoke some nostalgia. Instead it evoked wonder that Arthur Penn would ever have generated this mess. Poor writing and acting more than offset any charm that might be found in it. It almost makes me yearn for Billy Jack. I still like the song.

Alice's Restaurant (3 out of 10) "Well, you had to be there..." You just can't defend a movie that way. First, if I WAS there, I don't really need to see the movie, now do I. Second, as a filmmaker, isn't it your job to TAKE ME there? But, third and most likely, "there" probably just wasn't that great in the first place.

It's an odd film. I guess when it was released it was more interesting adn topical. Notable for Pete Seeger's bad teeth song in the hospital. Unfortunately Arlo is not a great actor and it sort of puts a damper on the story. Like him as a singer adn like the song. The movie is just dated and irrelevant today.

Arlo Guthrie's hilariously mordant 20 minute story song gets adopted into an affably whimsical, episodic, occasionally funny and ultimately quite downbeat and sobering free-form feature by director Arthur Penn that astutely captures the key issues and concerns of the 60's hippie counterculture: dodging the draft, smoking grass, getting hassled by the pigs, being persecuted by grossly intolerant, narrow-minded, repressive straight conformist squares, trekking all over the country to find your true self, and defying everyday social conventions so you can do your own thing, man. The rambling, just barely there plot centers on the winningly droll, breezy and irreverent Guthrie's pilgrimage through the counterculture, a bizarre, eventful, eye-opening journey of self-discovery that reaches its peak when Arlo gets arrested for illegally dumping trash, thus making Arlo ineligible for wartime service in the army due to his disreputable status as an unrehabilitated criminal (the scenes at the army center are riotous, with M. Emmet Walsh in a gut-busting early role as the gruff Group W sergeant whose staccato motormouth way of talking renders everything he says incomprehensible). Police chief William Obanheim appears as himself and proves to be a hugely likable good sport by allowing himself to be the endearingly humbled recipient of a few right-on japes made about uptight authority figures. "Glen and Randa" 's Shelley Plimpton has a nice cameo as a cute groupie who hits on Arlo at a party. The film's precise, clear-eyed portrait of the painfully gradual disintegration of flower power idealism and the cynicism and disillusionment that followed in its wake nowadays seems all too grimly true and prescient, with the volatile relationship between vulgar, boorish, obnoxious swinger James Broderick and his frustrated, irritated wife Pat Quinn (they play Ray and Alice Brock, the owners of the titular restaurant) brilliantly reflecting the turbulence and capriciousness of the period. Somewhat erratic and uneven, with a shaky tone that uneasily shifts between comedy and drama, this quirky, laid-back, naturalistic historical curiosity piece provides a lyrical and poignant time capsule of the 60's that for all its admitted imperfections nonetheless remains haunting and effective.

I saw this movie once about ten years ago and I still rank it as the worst movie I've ever seen. This movie grated against me in a way that no other film ever has. Lower-quality films than this have been produced, naturally. However, I find that most low-quality films are bad because they are either poorly produced (which can be fun) or competently produced yet completely forgettable. I don't remember many specifics about it except that it seemed self-aggrandizing on the part of Arlo Guthrie. I also remember they trashed a beautiful Volkswagen van which made me angry. I have been unable to forget that I saw this film. I only wish I could un-watch it.

This movie is generally not highly regarded. Criticisms refer to the lack of plot or "aimlessness" and draw unfavourable comparisons with the song. It is hardly ever appropriate to criticise a film by comparing it with the source from which it is derived. The film is a work in its own right, and it is no criticism to say that it is not like something else. There is no reason why a comic song should not be used as the basis for a tragic movie. The only such comparison that has any validity is one which uses the source work as a basis for demonstrating how a weakness in the derived work could have been avoided; or conversely, one which contrasts a virtue in the derived work with a corresponding deficiency in the source work. On its own terms, "Alice's Restaurant" succeeds very well as a movie. The song on which it is based does no more than provide a sequence of events around which the movie is constructed. It is not a narrative; it is a portrait of a particular time and a particular section of American society. It meanders, but it is never tedious; there is always something interesting to see on the screen. It demonstrates how that section of society, or the representatives of it with whom the film is concerned, although rejecting many of the rules by which American society has historically been governed, nevertheless accepts that society's basic values and cannot avoid the consequences of the rejection of some of the rules. It is not a great movie, but it is a very good one. I rate it as about 7.5 out of 10. The film that I find most similar to it is the French film "Round Midnight"; not because of its subject-matter, but because of its dreamy, unhurried mood.

First of all, I have to admit that I did not experience the '60s; I was born long after they were over. My parents grew up in the '60s, so I've learned about that era from them, and from various other sources. But obviously, I can't truly understand what happened. "Alice's Restaurant" is one of the great records of the era. And a really funny one at that. Arlo Guthrie plays himself trying to avoid getting drafted. The police arrest him for having long hair, and the army forces him into a recruiting center. In the recruiting center, they force him to walk around in his underwear. As an act of defiance, he declares: "I wanna see blood 'n' guts 'n' gore 'n' veins! I wanna kill, man!" Of course Arlo's favorite hang-out is Alice Brock's restaurant in Stockbridge, Massachusetts. That place could be the embodiment of the whole 1960s. Anyway, "Alice's Restaurant" is nowadays a look back at when the country's youth were fighting for a better future (people who lived through the '60s would probably object to how I said that). And in the Bush era, we really long for that. By the way, I saw Arlo Guthrie in concert when he came to Portland in 1998, and then again in 2004. Both concerts were great.

The last time I saw this film, it had just come out in the theaters. I was in high school, preparing for college, had a rebellious streak in me...you know, the usual. What I always remembered about it was the funeral song, at Shelly's grave, "Song for Aging Children," a song I still love. So I got the DVD. Now that I'm older, though not less rebellious, I find the film to have been put together like it was done by a junior high school kid with a few bucks to spare. It had the anti-authority clichés, you know the cops are all a bunch of idiots, and the young people who make up the bulk of the cast were all well-meaning and care-free. Well, yeah. But it takes some money to do what they were doing. From where did they get the money? There was also a theme of motorcycle racing that really didn't fit in well, or was at least not adequately explained. And the acting was ghastly. Apparently the director picked some people, I don't know, maybe friends of Guthrie? Or they were in the director's garage band or something? Overall, it was a band of silly late-60s clichés, and a story without a point. And that's kind of sad. The song is a classic folk song/tale, an anthem to an era. But the film, is pretty useless, unless you want to show those clichés and what they ostensibly represent.