Adam at Six A.M.

source: Adam at Six A.M.

There is something very honest about this movie. Some people say this is a poor copy of The Graduate but i find Adam at 6 A. M more honest and realistic. The script is great so is the Dave Grusin score. Some of the scenes with the workers, the conversations at the workplace and at the bar are just so real, it really feels like watching real life instead of a movie. All the actors, main and supporting ones did a great job. Michael Douglas knew when to shine and when to step back and let others do the work, like a passive observer. Brilliant direction as well. A solid 8 but because of the low rating i will give it a 10.

A minor cult classic for fans of 70s films. Joe Don Baker is outstanding. I highly recommend it, if you see it in the late-night TV listing.

This film is the latest acquisition to my collection of Michael Douglas videos and DVD's, and the IMDb user reviews prepared me for what to expect from the film. The main interest for me was to see Douglas in one of his first films - and to see just the same mannerisms, facial expressions and voice intonations as in his most recent films! The story itself I found mainly improbable - what was the point of the long and irrelevant intro? We needed to see more at that stage of just why Adam was dissatisfied with his life. I also couldn't for the life of me see what Adam found attractive in Jerri-Jo - she was so shallow, surely he could see that from when he first met her?? OK for a summer fling maybe, but getting engaged to her?? Give me a break! The best scenes of the film were those with the labourers - you could understand why he enjoyed being with them - and they were the only scenes that rang true for me. Plus the ice cream tub at the end - nice one! But where did Adam go? Back to his unsatisfying life again? How sad!

Parts of this movie were filmed in Excelsior Springs, MO and Henrietta, MO. The house (where he mingled with the "locals" and tried to explain what a "Semantics Professor" was) and the grocery store (where he bought the ice cream that he tossed out of his car), and the beauty shop were all in Excelsior Springs. The Drive In Theater was in Henrietta. It no longer exists. The bar scenes look like they may have been filmed in Orrick, MO, but not sure about that. When they were at the Drive In making out, I was the out-of-focus person in the blue shirt walking back from the concession stand seen through the rear window of the Porsche. I was fourteen. All of us got paid $15.00 a day and got to eat catered food. We all had a blast. But the movie sucks. My attorney is still trying to get me listed in the credits as the "Out-of-focus-concession-patron-guy-#1". I'll keep you posted.

The movie starts with Adam (Douglas) as a linguistics professor in California. During summer break, he takes the opportunity to look at his life. The movie doesn't really spend enough time developing the early Adam, but he sees something in his life he doesn't like. He finds out that an aunt that lived in Missouri has died and he takes this opportunity to drive across country for the funeral and maybe a better life. Being somewhat disenchanted with California life, Adam enjoys what he saw in Missouri. He is introduced to Jerri Jo (Purcell) and as most guy meets girl plots go, they fall in love. Because of this, he decides to spend his summer break in Missouri. He gets a job and makes friends with the locals. Joe Don Baker plays a member of Adam's work crew, and is portrayed as the basic mid-western, small town family man. With a wife and kids he seems happy, but restricted from doing much else with his life. Time progresses and Adam and Jerri Jo decide to get married. But not much later, he begins to see Jerri Jo and her family in a different light. He notices little snippets of the life he might be living, if he goes through with the marriage. It becomes more and more obvious to him that he and Jerri Jo don't share the same views of married life. From interaction with Jerri Jo's family and friends, his concerns build until he seems to struggle with the choice he's made. He sees a "cookie cutter" way of life laid out for him, if he stays in Missouri. He's torn between two worlds. There are parts of Missouri life he would enjoy, but he also enjoyed parts of the free spirit life he had in California. The intensity builds until he finally has to choose. I won't spoil the end, although some of the other reviews have already done that. I enjoyed this movie. I think I partly liked seeing the places I'm familiar with, the faces I know, etc. But I'm also very much a Michael Douglas fan. This film was before "The Streets of San Francisco", a series I loved. And you'll see a much younger Douglas in this movie, although you'll see his compelling persona has already begun to form. To give you a bit of an inside, I grew up in Cameron, Missouri. It was one of the small towns this movie was filmed in. I was 17 at the time. The producers came to our high school, looking for extras. They wanted a fresh and naive mid-western look. Men with short cut hair and no mustaches or sideburns, women with wholesome, girl next door faces. I don't intend to spoil the "look" of the movie for you, but it was obvious that they wanted Missouri to look vastly different than California's "hip" way of life. I thought they might have gone too far looking for the "hick" element in contrast. They even had a tractor driving down the main street of our town, in the film. Other than some things that only a local might see, they did a pretty good job of showing how a small mid-west town was, back in the late 60s or early 70s. And although this production has some flaws, it shows a "coming of age" struggle that many young people deal with. I think this movie is worth your time.

That would be the only reason why I would watch it again. I was 3 years old when it was made, but I remember my parents talking about how exciting it was to have Michael Douglas staying in our little 'ol town and how everyone in town were extras in the movie. I've seen it as an adult and the only thing I enjoyed about it was looking for familiar faces and familiar places in my hometown. I would imagine anyone not from my hometown wouldn't enjoy this movie as much as I did. It is kind of an interesting movie to watch, early in the career of Michael Douglas. I believe this movie was made before he did Streets of San Francisco which by the way I absolutely loved!

Douglas stars as a big city California college professor who realizes his life is pretty unfulfilled. His cushy college job is pretty boring and he's tired of waking up Monday with what's her name Sunday. He's lived a very pampered life from rich parents as everything in his life came on a silver platter and he's taken far too many things for granted. While visiting his parents, he overhears his mother on the telephone ordering flowers to be sent to a recently deceased relative's funeral in a small Missouri town. It dawns on him to get away from it all, drive across the country and get to know his virtually unknown relatives. As soon as he goes to the funeral he's touched even though the locals treat him like he just stepped off the mother ship. Feeling like he's finally home he gets a bush-clearing job and despite being over educated and underpaid his life is new again. At the funeral he meets a popular local girl (played by Lee Purcell) who immediately sets her sights on Douglas; she wants a husband and her parents are ready for a son-in-law. The two fall in love but he soon discovers someone else once again controls his life, this time by his soon to be in-laws all neatly packaged and planned. Even though he truly loves his girl he isn't sure if he's ready to settle down and be rooted in another town just yet. If the movie were made today it would probably be made into a comedy with Ice Cube so I'm very happy that it was made during the time it was. The plot tackled important issues and it was meant to be a drama. The movie includes a wonderful cast, including Michael Douglas and Lee Purcell of course. Other standouts include Joe Don Baker as Douglas' logger co-worker whose big dream is becoming a TV repairman or the meddling future in-laws played by Louise Latham and Charles Aidman. Also check out the really good song "Elijah Rise Up" by Danny O'Keefe. I was only able to find this title on VHS about 10 years ago as an out-of-print special order. It would be very nice having it on DVD, as it's a great collection to any fan of Michael Douglas, the 70's or just great acting. Interestingly in this movie Douglas plays a professor was released in 1970 and the other Douglas' movie "Summertree" in 1971 in which he played a college student, one year later.

Idealistic college professor decides to find himself by spending a summer in the midwest as a laborer. He meets and falls in love with a beautiful young lady who, to his regret, cannot share his same vision. Biggest differance here is that the other laborers aren't potrayed as ignorant, suspicious, bigots. Instead we see them as friendly, helpful, and interesting people. Does degenerate into the perverbial bar fight, but mostly this is a subdued, almost loving look at Americas' heartland. Great chance to see Michael Douglas in a very early dramatic role. (He did this even before STREETS OF SAN FRANCISCO). Lee Purcell is also quite good becoming easily identifiable of most young ladies of that era (and even today). She willingly takes on the more 'liberated' values of the younger generation when it is conveniant and fun, but is unable (and unwilling) to break from the mores of the enviroment from which she was raised. Has a good final shot.

This is an unusual film for Michael Douglas, and kind of "lost". I wonder if it was ever even released? I rather doubt it's even available on video or DVD today: your only shot at seeing it is late at night on same cable station. Which is how I saw it, many years ago. Adam is a late 20s college professor having a sort of early mid-life crisis when he decides to spontaneously attend a family funeral in the Midwest. Away from his intellectual/liberal environment and hedonistic lifestyle, he finds life in the small town surprisingly warm and embracing. In time, he has a working class job (light years from his cushy teaching job), friends (Joe Don Baker) and a cute girlfriend for whom he has the major hots, but who is "saving herself for marriage." Adam becomes, for this one summer anyhow, so immersed in this simple down-to-earth lifestyle that he decides to marry the girlfriend and buy a house. At this point, the film takes a sharp detour...as if ashamed suddenly of the idea that simple hard work, good friends and a loving marriage might be exactly what spoiled pretentious Adam needed all along. So he abruptly decides to "chuck it all" when sent on a mission to buy vanilla ice cream for his fiancé's bridal shower...and skedaddles out of town in his sports car, presumably never to be seen again. (Or maybe to return to his unhappy life as a swinging college teacher.) No closure on the presumably broken-hearted fiancé, who had to be humiliated by his disappearance, or his confused and hurt friends. For some reason this film has stuck in my mind all these years. I think because up until the final couple of minutes, it almost seems like a pre-Reagan paean to family values...which would have made "Adam" a real oddity in 1970. Some good supporting work from supporting actors. This film also foreshadows the 80s film, "Amber Waves of Grain" with Kurt Russell and Mare Winningham, about a spoiled actor who becomes a farm worker. If you are up late at night and this comes on...watch it. Something different, and you get to see a very young Michael Douglas. (BTW: No, the title makes no sense at all.)