40 Pounds of Trouble

40 Pounds of Trouble is a fun movie. What I like is it is the kind of movie you can watch with the kids and as an adult can enjoy as well. Here Steve ( Tony Curtis) is the manager of a Las Vegas casino hotel, is a person who is not as smart as he thinks he is. A big part of the film is him trying to dodge alimony payments to his ex wife by thinking he being in Nevada let's him escape California payments. Of course it is just the ex and her lawyer chasing him down twice in the film, once in the beginning and once at Disneyland just to stick it to him. What makes his life better is a five year old girl named Penny who is left at the casino by her father who has to go back to San Francisco to get money because he lost it all in a poker hand. What no one realizes is the father ended up dying in a car crash. Of course he ends up falling for her ( as well as falling for Chris (Suzanne Pleshette)) Spoilers ahead: One of the best scenes happened in the courtroom where after the county took Penny away, and she explained how her life was better with Steve then her father, because her entire life was living out of hotel rooms. The judge then said she has to be put up for adoption, and Steve wants to adopt, but he cannot because he was single. But he asks Chris to marry him and she says yes and they are going on a honeymoon to Disneyland ( where they took Penny after they found out her dad died). For me this is a very good movie ( not great because of the aggravating Howard Morris and Larry Storch) but certainly not one star as some people here gave it. 8/10 stars from me.

source: 40 Pounds of Trouble

40 Pounds Of Trouble casts Tony Curtis as a somewhat jaded manager of one of Las Vegas's gambling palaces owned by Phil Silvers who has told him to find a singing spot for his niece Suzanne Pleshette. But he's got another crisis on his hands. One of his regular players has left a marker in the form of his daughter while he's out raising a bankroll. The daughter is little Claire Wilcox the 40 Pounds Of Trouble in the title. It doesn't look like he's coming back this time and the little girl does work on melting the heart of this gambler. Suzanne Pleshette's working on her end as well. It might be working out if it weren't for the fact Curtis has an ex-wife in Mary Murphy whom he's into for a lot of back alimony and she's got a good attorney in Kevin McCarthy who is a one man collection agency. This is a pleasant almost G-rated comedy with a climax in that most G-rated of places, Disneyland. It's where Wilcox has always wanted to go and Curtis and Pleshette plan on a day there. Only Murphy's bloodhound McCarthy sniffs them out and then it's a mad Keystone Kops like chase through Walt's Magic Kingdom to get the papers served. Besides those mentioned there are a lot of familiar faces that line the cast of 40 Pounds Of Trouble which always makes for great viewing. In many ways Curtis is playing a comic version of the role Robert DeNiro did as the manager in Martin Scorsese's Casino. I wonder how Ace Rothstein would have handled all this?

In sure Suzanne didn't want to make this unfunny comedy. She was under contract to Warners and probably loaned out. Tony Curtis was well past his prime and just glided through his films hungover at this point. It shows in his face and performances.

The film is very typical of the 60's-70's comedy romance films where the handsome and rich (divorced) playboy this time starring Tony Curtis as Casino Manager Steve McCluskey shows disdain for the casino owners inferred girlfriend played by Suzanne Pleshette as night club singer Chris Lockwood. In reality Chris Lockwood is in fact not the casino owners' girlfriend but is really just his niece as always claimed of the casino owner leaving the door open for McCluskey to consider entering in to a romantic relationship with Chris Lockwood. The story begins with a lifetime gambler who over extends his credit limit at the casino that Steve McCluskey (Tony Curtis) runs, so the gambler takes off to find some cash leaving behind his 7 year old daughter Penny Piper (Claire Wilcox) at the casino in his hotel room. Of course the gambling father intends to come right back to the casino as soon as he gets some more cash. But as circumstances would have it, he is tragically killed in an auto accident leaving the casino manager Steve McCluskey and his new night club singer Chris Lockwood (Suzanne Pleshette) to figure out a way to break the news to cute little 7 year old Penny that her deadbeat gambling dad has left his little girl all alone in the world. What to do? Oh what to do? Why not ask Penny what she always wanted to do? So the question is posed to 7 year old Penny and she says she wants to go to Disneyland. As if McCluskey doesn't have enough to worry about with running a casino, he also has private detectives and his ex-wife's lawyer chasing him to pay up on alimony so he needs to disguise himself to leave the casino to even get to Disneyland where the classic chase around Disneyland ensues played alongside some classical musical score. A good time is had by all at Disneyland, romance continues to bloom between McCluskey and Lockwood as they care for little Penny who is having the time of her life with her chaperone's in an effort to distract her from the sudden death of her gambling daddy. Eventually McCluskey is nabbed and ends up in court where little Penny is put on the stand and questioned as to how she was treated while in the care of McCluskey at his casino. This is where 7 year old Penny wins over her audience and the judge as she bestows all the credit for her loving care and attentiveness on casino manager McCluskey for making sure she was treated like the little angel that she is. Tears will start to flow from most women's eyes as Penny indirectly tells us how much she loves McCluskey. Incidentally, 7 year old Penny (played by Claire Wilcox) was born in Toronto, Ontario the same Canadian city that Grade 1 director Norman Jewison is from. Ms. Wilcox went on to appear in various television series as a guest star for the next several years as a young teenager and then stopped acting completely. Her whereabouts are currently unknown? Ms. Wilcox what are you doing now? You stole the big screen from Tony Curtis and Suzanne Pleshette. I give the film a 6 out of 10 and Ms. Wilcox a perfect 10 out of 10 for her heart felt performance.

Tony Curtis finally scores a bull's-eye! I've lost count of all the poor movies (comedic or otherwise) that Curtis made in the 1960s, but this one and the later "The Great Race" are his winners. Here, Tony (happily animated throughout) plays a swinging casino manager who comes to love a cute little orphaned girl left in his care. He also has his hands full of Suzanne Pleshette (groomed to look like an old-fashioned movie star, but still with her deep, husky voice--as if it were being channeled from beyond). This unofficial remake of 1934's "Little Miss Marker" has an exceptional supporting cast including Phil Silvers, Kevin McCarthy, Howard Morris and Edward Andrews, slick production, a funny slapstick chase through Disneyland. A good family movie and a happy surprise for Curtis buffs. *** from ****

This film is a 1960s version of the Damon Runyan short story of 1932 that was made into a Shirley Temple movie of the same title, "Little Miss Marker" in 1934. But, by version here is meant a very sanitized story that just uses the basic plot ideas. A little girl is left alone after her father disappears, and a gambling operation manager winds up with her on his hands. All else of the story is a big departure from the grittier situation and conditions in Runyan's story that was set in the underworld of New York during the prohibition era. The big changes make this something more of a family movie. That's probably why Tony Curtis's production company jettisoned the original title as well, naming this film "40 Pounds of Trouble." Although the setting is the Nevada gambling mecca on the East side of Lake Tahoe, the characters and plot otherwise is toned down considerably. And, a big chunk of this movie is spent in Disneyland. The company seems to have filmed most of the rides that were in Disneyland at that time. I didn't notice scenes that showed Frontierland or Adventureland. This apparently is the first movie that was filmed in and that showed a great deal of Walt Disney's first major theme park. Disneyland opened in 1955. I was in a top-rated high school marching band that marched in the Tournament of Roses Parade on January 1, 1959. We had a weeklong trip of touring that included band performances at other places. We gave a concert for the Navy aboard the carrier, Enterprise, that was then docked at Long Beach. And, we marched in and gave a concert in Disneyland. I think we were the first high school band to do that. Tony Curtis must have wanted to do this film because he formed the company to make it. The opening scene has a car chase with some scenic shots around Lake Tahoe. And the Disneyland filming includes some hectic scenes of the lead characters on the various rides, with a foot chase through the park. The romantic aspect is quite weak, and although Claire Wilcox is cute as Penny Piper, she isn't a Shirley Temple. I'm sure that Curtis, Suzanne Pleshette and the others gave it their best, but this was just a flat film. There's nothing exciting in it, and it gets dull in some spots. This is an instance when the scenery and the considerable filming of Disneyland lifted this film. For the latter alone, people may enjoy this film - especially anyone who may never have been to one of the Disney theme parks. Here are a couple of lines - the closest thing to any humor in this supposed comedy. Herman, "Mr. Friedman's first rule is, 'Do not call the cops.'" Louie Blanchard's secretary, "How'd the man at Tahoe know that Mr. McClusky isn't there?" Louie Blanchard, "How does a big know it's gonna rain?"

Yes, there are a lot of very entertaining moments in this third version of Damon Runyeon's "Little Miss Marker", and while color has been added, it's perhaps a bit too 60's in style to compare with the 1934 version which is practically perfect, a Shirley Temple vehicle where she's just a kid, not a Shirley Temple character. Claire Wilcox takes on the role of the abandoned little girl here, left with shady Lake Tahoe gambler Tony Curtis who has mob connections and must hold onto her until her father returns which as we know doesn't happen. So along with lounge singer Suzanne Pleshette, they must keep Wilcox out of the hands of the big boys, lead by the completely wasted Phil Silvers. There are some genuinely funny moments, especially the visit to Disneyland towards the end which leads to a Keystone Cop like chase, going from the fairyland boat ride to the Swiss Family Robinson island to early Epcot. Disney sure has changed over the last 60 years! Larry Storch is at his most annoying in this, and "Guys and Dolls" veteran Stubby Kaye returns to Damon Runyeon territory with nothing to do. The 60's jazz music is overused here and seems completely out of place. However, it's nicely filmed in Technicolor and the location footage makes the California of the 1960's look quite desireable. It's ironic that the fourth version of this brought Curtis back in the Silvers part and utilized Walter Matthau in the role he plays here, previously played by Adolphe Menjou (terrific!) and Bob Hope (basically playing, who else, Bob Hope...) and Julie Andrews in Pleshette's part, earlier played by Dorothy Dell and Lucille Ball. This is a pleasant time filler that has its stars giving their all and looking like they are having a good time, but certain elements keep this from being a classic.

I really enjoyed this film! Came across this just by chance and I honestly did not expect too much. This is a light, sweet little comedy featuring the stunning Suzanne Pleshette and Tony Curtis. The era and filming locations are as attractive as the two leads in the cast. It was also fun to see Disneyland in the early 1960's. I highly recommend this if you are feeling a little down, it's a nice pick me up!

While not one of the greatest of actors, Tony Curtis was always watchable and gave good performances (truly great actually in 'Some Like it Hot' and 'Sweet Smell of Success') in a fair share of good films. That '40 Pounds of Trouble' was directed by talented Norman Jewison, in his feature film debut, and had a promising cast were also good reasons to see it. '40 Pounds of Trouble', the second of three re-workings of 'Little Miss Marker', may not be perfect or one of the all-time greats, nor did it try to be, or among the best work of those involved. Jewison especially went on to better things, such as 'Fiddler on the Roof' and 'In the Heat of the Night'. It is great fun though, with bags of charm. One of those films that doesn't try to do too much or play it too safe, knowing what it wanted to do and how to approach it, succeeding in its goal. There is not an awful lot wrong here. It perhaps ends predictably and conveniently and occasionally loses momentum in the latter parts of the film where it could have done with more variety. Phil Silvers overdoes it somewhat, a very enthusiastic performance that was mostly fun but at times over-eager, and could have reigned in more, had the sense that Jewison was not finding it easy to control him. Curtis is like the film however, immensely likeable. Despite having less of the heroic, athletic quality of his early roles and more of the darker, meaty quality of others when he grew as an actor, he still manages to find the right touch of light-footed energy and charm. He shares amusing and tender chemistry with appealing, neither too cute or bratty, Claire Wilcox. Suzanne Pleshette is a charmer in her role and Kevin McCarthy and Larry Storch have fun in theirs. Visually, '40 Pounds of Trouble' has a glossy and elegant look, while the witty and humorously light-hearted script, nostalgic Disneyland setting, generally lively pace (occasionally losing momentum in the latter parts), sparkling cast chemistry and engagingly likeable story make the film further appealing. As said, Jewison did go on to better things, for a feature debut though it is quite competent and at least seems to be in keeping with the film's light tone. Overall, entertaining and easy to like. 7/10 Bethany Cox