1992

1992-480P

فلم جيد جيدا

OG Merc (Tyrese Gibson) has been out of prison for 6 months. He is raising his teen son Antoine (Christopher Ammanuel) following the untimely death of his mother. He works as a maintenance man for Pluton Metals in Los Angeles 1992. It makes catalytic converters. They await the verdict of the Rodney King trial. Murphy (Ori Pfeffer) is a thief. He plans to rob the platinum at Pluton Metals which is contained in a very secure safe. His dad (Ray Liotta) vetoes the plan as it is too risky despite the high return. During the riots, they change course to break into the safe. Merc lives in the center of the riots. He seeks the safety of his workplace for himself and his son. Needless to say, they cross paths with deadly results. This was Ray Liotta's last film. There was nothing extraordinary about the feature. Conversely, there were no bad scenes either. There are better Ocean 11 films out there. Guide: F-word. No sex or nudity.

I was skeptical with the movie not having a wide theatrical release and not much promotion but from beginning to end I was engaged. I was determined to see the fate of Tyrese, his son and the late great Ray Liotta. There wasn't much dialogue throughout the film but the presence and tension was felt. There's not too many roles I would place above this for Tyrese if any. It was also refreshing to see another familiar face in Eastwood, while not playing the typical preppy pretty boy as his cast mates continue to be type casted. This just goes to show a film can be just basic but still entertaining. A big W for everyone involved in the making.

the best movie ever 🔥🔥🔥

need

..chose to watch film based on title reference...in forcing to do so, kept falling asleep throughout...plot, which is erected on foundation of life changing events showing the world, & American society as a whole, what "we" deal with on general daily bases, is sad & pathetic- which makes this "film" hard to watch after to 1st 15 or so mins...Tyrese & Snoop being referenced as co-producers of this 🗑 in the end, along with the title reference, are failed attempts at trying to give it "fake" clout...this film shouldn't've been made- PERIOD!... IT'S TITLE REFERENCE & PRO. CREDITS ARE EMBARRASSING!

1992 I wasn't sure what to expect when I sat down to watch a movie set during the LA riots after the ridiculous non guilty verdict delivered to the cops who beat Rodney King on camera. 1992's main character is a man who had been out of prison for 6 months for an undisclosed crime, but related to gang violence. He has a 16 year old son that lives with him due to the deaths of the kid's mother and grandmother. The twist here is that a group of criminals use the riots as a distraction for their heist of platinum from a plant. For 1992 it's a pretty advanced plot to break into the safe while only one security guard remains. As Ray Liotta's final film before his death, he plays the head of the heist, even though his 2 sons, and one of their war buddies did all the work. I was glad to see that most of the first half of the movie deals with watching what the riots were doing in the neighborhood. Mercer, no stranger to violence, works to get his son to the same plant being robbed, for safety. The film does elicit the anger that the country felt to see such a miscarriage of justice. The rest of the film is very Die Hard as Mercer fights against the thieves, as he watches in horror as his son is used as a hostage. It's fun to see Mercer take them out, and then it's fun to see the twist when one of the thieves realizes that the heist was going to far. The one Black man in their crew is the first casualty when a forklift causes the amputation of his legs. The irony is not lost not he audience that during the riots, he is hurt by the remaining white crew, though unintentionally. It's not a fantastic movie, though Tyrese Gibson (Mercer) does a fantastic job playing a scared father that has an ability, he is not proud of, to defend his family. He also is subject to the humiliation of suffering an incident with the police as he is driving to the plant, all while keeping his cool to avoid escalation. Watching a white family get sent through the barricade with no inspection just ticked me off. I also wished the ending returned to the repercussions of the riots, but it did wrap up the heist plot. 30 years after the riots, I guess it was inevitable to use a real life event as an identifier of time and motive, but I almost felt it was going to be a more historical drama. But it's not, and I also remembered that the 2018 Black Panther movie did the same thing, at the beginning of the film.

This movie is almost the exact same plot line as the movie he was in called Waist Deep "2006." The same usual, my son is in danger and I need to play Superman and save him and the day. It's so cheesy and corny I was deeply mislead by reading the plot story. I was under the impression that this was based on a true story from the 1992 LA riot pertaining to Rodney King. This movie infact has very little to do with that situation and everything to with Tyrese getting out of jail again and trying to be a good father. Can't hold or touch guns just like the movie "WAIST DEEP." This is literally a Waist of time.

I feel like Tyrese is becoming complacent. Listening to him from one interview to the next, he comes across as someone who feels he's achieved a lot and should be revered for it. While he's undeniably an amazing singer, as an actor, I think he's just okay and got lucky with *Fast & Furious*, heavily relying on the strength of the supporting cast. I've always been a fan of Scott Eastwood, son of the legendary Clint Eastwood, and you can never go wrong with the always brilliant Ray Liotta (RIP), who delivered a strong performance in this movie. His presence kept me engaged right until the end. As for the script, it's clever, but the execution felt a bit second-rate. Then again, that's often what you get with a B movie. It's not great, but it's not terrible either.